36 ways to better your photography business today

Photography Business Vision Workout: Men’s Health, September 2011

Just as you strive to improve your artistic vision as a portrait photographer, you need to develop your business vision as a professional and business owner. Consider this, my Photography Business Vision Workout series, as us hitting the gym together for some much-needed exercise. With time and practice, you’ll learn to see business and marketing inspiration all around you, just as you see artistic inspiration in everyday scenes.

The September 2011 issue of Men's Health magazine is on the shelves at your local bookstore and newsstand. Grab yourself a copy, and let's thumb through all 190 pages together to see what nuggets of business wisdom we can glean!

Cover: First of all, check out the cover of this or just about any other magazine - see how Aussie actor Sam Worthington stands in front of the Men's Health logo? It's simple, requires just a little zoomed-in time with the lasso or extract tool in Photoshop, but it has a powerful and graphic effect to engage viewers. Consider this trick for a future marketing piece, or the best of your senior photography.

Cover: Your marketing pieces should always try to speak to what your target market wants or needs. What gets the biggest play on the cover of this issue? "Strong & Fit: See Results in Record Time" - is there any man who doesn't want to be a walking example of these attributes, and quickly at that? Consider the same focus in your marketing. When you want to grab people’s attention, speak boldly to a subject they actually care about (hint: it’s not the size of your hard drive).

Cover: Note the repetition and focus on the word "Your" - Your Nutrition, Your Health, Your Fitness, Your Money. This is good - when you 'talk' to your clients via your marketing, speak to them, not around them. "John Smith Photography wants to help its clients to experience an enjoyable and fun photo shoot. Clients can expect glorious, life-changing, heart-rending artistic photos from their session with award-winning photographer John Smith..." does not engage readers what-so-ever. Don't let the About page on your web site read like an good review of a bad art house film on Rotten Tomatoes.

Cover(s) : Note the cool factor of the reversed and upside down style guide. Slip a little something unexpected into your marketing pieces now and then, give people a reason to 'flip over' (interact) with your business card / web site / e-mail newsletter / Facebook page.

Pages 2, 3, 6, 7: We'll just blow past the minimalist (and completely boring) car and shoe ads...

Page 8: I like this Holiday Inn Express ad. I've flipped through this magazine about three times now, and it catches my eye each time. What's a secondary aspect of your photography business that might make an interesting subject to feature in your marketing? Photographers are always blasting their portraits, their end products, in their marketing - what about featuring your post-processing touch-up skills? Your great humor and talent at making clients laugh? Your extensive collection of props for baby shoots? Your access to beautiful, exclusive locations on private property? Your location Strobist lighting setup? Your buy-what-you-love pricing? Your digital image offerings? How do these features benefit your clients, how do they improve their experience and enjoyment through working with you? Instead of pimping the obvious, your end-result art, consider picking one piece to feature from within the puzzle that makes up your overall value offer.

Page 18, From The Editor: Men's Health Editor David Zinczenko (what a name!) outlines five adjustments you can make in your life (or business) to find Your Big Break: 1. Attack the clichés; 2. Ask why; 3. Collaborate across borders; 4. Think big about something small; 5. Step outside yourself. Great advice, with specific examples of how the magazine has applied these adjustments to better itself over the years. Study the advice here, ask yourself how each nugget could apply to your own business, and as I'll suggest at the end of this post, add the resultant ideas to your Brainstorms folder.

Page 18, The Tweet Life: "What Winners Knows - You can't control everything. Sometimes giving up is the best way to achieve command over chaos." I've written before about how you're going to run into bad clients over the course of your professional photography career. Shake the haters off, and sure as hell don't let them dictate your customer service policies - don't treat all your good clients like criminals because of a few nincompoops.

I'm a fan of almost all the health tips in Men's Health, but I won't touch on them here. Just keep in mind: a sound mind and sound body are invaluable tools in growing as an artist and business owner - enough so that I highly suggest you spend as much time learning about and practicing good health and fitness as you do your photography. Happiness, the arguable goal of all this work, will increase commensurate.

Page 20, Our Advisory Board, 1. Stay in great shape: - Winning is motivational. If you're struggling to "do what's right" with an aspect of your photography business - practicing your art regularly, talking to potential clients, discussing co-op marketing campaigns with other business owners, reducing your post-processing time, turning around proofs quickly - accept where you are, and set a goal to improve by some small measure. If you're only practicing your art on occasion, set a goal to practice every week. If it's taking you seven days to turnaround proofs for clients, set a goal of six days. Achieve these, then improve by another measure. Within just a few months, you will have improved your business in tangible, important ways, which you and your clients will enjoy the benefits of for the rest of your photography career.

Page 22, Ask Men's Health: Pay attention to "What's the fastest way to eliminate a crick in my neck?" and "I often work late. What's the best way for me to reboot mentally and finish strong?" These tips will be immediately useful after any marathon post-processing session in front of your computer. (Takeaway: escape your desk every 50 minutes for 10 minutes, indulge in a brisk walk and deep breathing. I set a timer on my iPhone for 50 minutes, then 10 minutes, then repeat for as long as I'm working in my office. With a sort-of deadline, you'll find yourself working faster and with more focus. Efficiency is definitely a good thing when you have a wife, kids, and/or friends waiting for you.)

Page 34: I first saw this graphic informational juxtaposition in Sports Illustrated - feature a big number, then explain what that number means. It's like Jeopardy, where you give the answer then make the viewer wonder what the question is. Slip this well-worn but effective visual trick into one of your future marketing pieces.

Page 37: If you ever do any marketing with the word "FREE" in it, I beg of you, don't put a big ol' asterisk right after - you just deflated any momentary intrigue your viewer may have felt. : market on your value, your personality, your customer experience, not your freebies.

Page 38, Wake Up A Winner: Just replace "athlete" with "photographer" and you have the exact same insomnia many artists face the night before a big photo shoot. My best tip: when you catch yourself losing sleep over tomorrow's shoot, calmly promise yourself you'll obsess over the details in the morning when your alarm goes off. Until then, you are absolved of any responsibility whatsoever.

If You Do Nothing Else, Do This - Page 40: Want a fun challenge? Write a page of marketing copy for your photography business in only 123 words. No photos, no fancy layout, just a small version of your logo at the end (perhaps a phone number and web address would be prudent). If you had to convince a potential client to book with you based on these 123 words alone, what would you say? Now purify down to 60 words. Then 30. Then 15. Then just 10. Call your local newspaper, and place a classifieds ad featuring these 10 words, your web address, and phone number. It's a cheap and fun experiment, and likely the best, most effective classified ad you could ever place.

Page 42, The 2-minute Office Workout: I love ‘office workout’ tips. We photographers spend way too much time in front of our computers, and often suffer pains and problems because of it. Here, Men's Health shares that two minutes with an inexpensive resistance band can relieve tension. Add this into your 10 minute every-hour break. Office Yoga is the absolute best method I've found to reenergize during a long day of photo processing and Reddit...I mean, research!

Page 46, Build Your Own Breakthrough: As always, you've got to Do the Work. Actor Sam Worthington shares wisdom learned as a hard-working bricklayer turned hard-working actor. The takeaway: work hard, and cherish the opportunity to do the work. That you're reading this now says you hold enough talent and tools to become a successful professional photographer; be thankful for the opportunity before you.

Page 52, Your First-Date Playbook: First-date advice is almost always good advice for your first shoot with a new client. From what you wear, how you smell, where you take your client, to what you talk about - forethought and thoughtfulness will go a long way toward making a great impression. Outside our home studio is a sidewalk where my wife will write "Welcome, <insert client name here>!" in bright, bold chalk before a shoot. It's the little things.

Page 56: That photo of a foil-wrapped brick sitting atop a grilling chicken has a ‘what the heck is this?’ effect on viewers. Add something quirky or irreverent to a future marketing piece and make your potential clients do a double take. Cultivate curiosity.

Page 59, bottom: I like the "Win This!" graphic with a photo of the prize. Try this graphic trick next time you run a contest.

Page 61: The old comparison chart isn't a bad format for a marketing piece. If you're feeling cocky and want to fire a shot across your competition's bow, and you can back up your claims, use this format to highlight why your offerings are superior to an "unnamed but obvious" competitor. Just make sure your proclaimed advantages are benefits people actually care about. If you have a popular photographer in your market who has draconian customer service policies, this is where you want to highlight the differences between your business and theirs.

Page 64, Major League Muscle: Are you keeping your photography muscles trained, even during the ‘off season?’ You will multiply the rate at which you grow as an artist if you simply shoot more often. If you spend more time reading about photography than you do making photographs - practicing what you've learned - you're out of balance. Pay attention to where you're investing your time, and divvy it up evenly between learning (both photography and business), marketing, and shooting.

Page 68, Wet T-shirt Contest: Grognards act as though there's only one respectable market or goal in the entire professional photography industry - boutique portraiture. Everything else, from their perspective, is ruining the industry, especially you. Just as this rundown of T-shirts for athletes shows, there's a wide spectrum of clientele and options in any industry, from best bargain to best overall. And note, the best overall is not the most expensive option.

Page 68: Related to the above, look to the left side of the page; this is a great format for a marketing piece. "The Problem: ... The Solution: ... The Question: Are all photographers the same? ..." Identify a specific, common problem clients have faced with other local photographers (especially the chain studios), then the solution you've created with your business.

Page 70: Great photography in this ad, beautiful dog. Strive to capture such variety in your own subjects, canine or otherwise, and watch your sales grow accordingly. Variety = sales.

If You Do Nothing Else, Do This - Page 71: Great layout and concept for an ad. Just replace the dog with one of your photo clients who has an interesting back-story (firefighter, military, police, volunteer, mom, dad, daycare Valentine's Day king and queen, etc.). None of your clients are very interesting so far? Find someone who is, ask them to tell you their story, take notes, and photograph them. Don't forget the model release. Tell stories, feature great people from within your community - in your marketing, on your blog, in your portfolio. “Bring out the extraordinary" in your subjects. You could put together a wonderful and buzzworthy marketing campaign with this idea alone. Ask your local community newspaper if they would be interested in running these photos as a weekly series in exchange for a byline: free, and exceptional, advertising.

Page 73, The iPad Hot Spots: I don't know what else to say about the iPad - it's the best, most engaging portfolio a photographer can carry. I use mine exclusively for presenting my portfolio and proofs to clients, and they eat it up with a spoon and a canary-eating grin. I picked up a first-gen 16 GB iPad for $300 used. As always, earn it before you spend it, but it's one of the best investments you'll make in your business.

Page 79, The Sportsman: Be thoughtful, but you don't have to over-think your portraits. All you need is a prop and some backlighting (and perhaps a reflector or white wall behind you) for a book-cover-quality portrait of a young athlete.

Page 86, The Bulb, Three Ways: Beautiful layout. Do your price or product lists look this good? If you proof online, does your digital sales presentation look this attractive?

Page 89: Busting myths is a fun way to put a twist on your FAQ page or a marketing piece. Look back over some of the misconceptions your clients have expressed about getting professional portraits done, and do a myth-buster post for your blog, web site, and/or e-mail newsletter.

Page 94: The layout of this article reminds me of the great ‘Table of Contents’ pages Merlin Mann and Leo Babauta have on their blogs. Most photographers' blogs are a waterfall of photos, marketing, how-to's, event and sale announcements, studio news, and personal anecdotes. Be a good host and provide your clients a separate and obvious page on your web site which helps guide readers to the best of your blog; photo posts by category, your currently-active or pending events and sales, all of your educational how-to's, etc. Don't force your clients to read your blog in reverse chronological order to find what's interesting to them. (I am remedying this fault on my own blog post haste!)

Page 112, Give Fear The Finger: Willpower. If you're a human being, you've probably struggled with a lack of it. Probably today. Probably in the past hour. Especially for struggling photographers, this article will show you six roadblocks to progress and how to break through them. My tip: the best day to do the right thing was yesterday; the second best day is today. Don't let negative self-talk stop you from doing something better today, that's the easy way out and a poor excuse. Try. Fail. Try again. You'll learn; you'll get to where you want to be with time and persistence. Kaizen: small daily improvements lead to big changes over time.

Page 120, Tip No. 11: Listening really is proof that you care. With clients, as it is with significant others. Yes - even if you have to take notes. If you show your clients that you really were listening during that first phone call and during your shoot, you will enjoy the rewards in both sales and loyalty. Listen. Care. Take notes, on even the little things. Three years ago, my wife photographed the newborn baby girl of a client named Becca; last week, she photographed Becca's second-born, and also remembered the first little girl's name. Because of this one act of attentiveness, Becca posted to Facebook glowing praise for my wife, and recommended to all her friends that they come to Bandera for their baby and family photos. You can’t buy advertising that good.

Page 124, Upgrade Your Whole Life: Being in the startup phase of professional photography is wildly exciting, and it's wildly easy to obsess over art and business and marketing and forget to live a life outside of your new adventure - at least until you exhaust yourself, emotionally and creatively. If you feel you're in a rut or have hit a motivational wall, open up your magazine to this list of "little leaps of progress." By letting your mind focus on something other than your business for a while, you'll reboot your enthusiasm and refresh your creative spirit.

Page 136, Be a Better Buyer: Look at the statistics down the left side of this page to get an idea of how men think during the sales process. Especially take note of the following stats, and consider how they relate to professional photography: Percentage of men who studiously read reviews before buying (where are the testimonials on your web site?), number of men who say they make their family's big-purchase decisions (are you asking that Mommy bring Daddy along for the proofing and sales session?), percentage of men who prefer making big purchases in-store rather than online (are your proofing in person or online?), number of online shoppers who've been suckered by limited-time offers (if you proof online, do your clients have a deadline to buy at best rates?), percentage of men who say shopping is almost always annoying (what are you doing to make your proofing/sales session more fun for male clients?).

Flipping this month's Men's Health to the backside Guide To Style, I won't lie: I love good-looking clothes. I get lost in style guides like this. Besides taking inspiration from the photography here, consider offering similar style tips for your clients. Create a Style Guide similar to my Client Pre-shoot Cheat Sheet to share with your newly-booked clients.

Post a tip a week to your blog, and compile these tips into your style guide. If you have no good fashion sense, ask a friend who does to help you out. Great wardrobe can really make a photo shoot sing, so do yourself and your clients a favor by providing them the informational tools they need to look their best. Remember, you're the expert - your clients trust you to guide them in the photo-making process. When your clients feel prepared, they'll be more comfortable in front of the camera and throughout the shoot.

You can expand this series in your blog to also offer health and fitness tips. Talk with a local personal trainer and feature their advice on your site. Visit with a local nutritionist. Always add value to your clients' lives. Help them lose weight, get fit, feel better, look great in great clothes, and your clients will go from appreciative photo buyers to unwavering zealots for your business.

If you've made it this far, bless your heart, your eyes must be exhausted. But congrats on making it through 190 pages of business and marketing inspiration with me!

Next Steps

  • This post is full to the brim with over 36 tips on how to improve your photography business, inspired by the contents of just one issue of Men's Health magazine. Don't be overwhelmed - just pick one or two tips that inspire you, and run with them. When you've exhausted the benefits of one tip, reach out and grab another. Doing any one thing is far and away better than doing nothing at all.
  • If you need a place to start, take action on this tip first: Scroll back up to the Page 40 tip, create that action-packed classified ad, and run it on Craigslist or in your local newspaper. It will cost next to nothing, and you could well score some great bookings with it.
  • Brainstorm session: Your mind is probably overflowing with ideas for your business right now. Just start writing things down, stream of consciousness; let it all flow out onto a notepad or into Notepad. Empty your mind onto the page. File this in your Brainstorms folder.
  • My writing at PartTimePhoto.com exists to serve your needs as an amateur photographer making the transition to paid professional. I appreciate and welcome your readership, and invite you to subscribe to my e-mail newsletter at the top of any page of this site.
  • If anything in this post has spoken to and inspired you, please comment below, drop me an e-mail, or call or text me at 830-688-1564 and let me know. I’d love to hear how you use the ideas here to better your part time photography business!

Vision: as a photographer, as a business owner

The longer you've been a photographer, the more developed your vision is.

Your vision, perceiving the world as an artist, is your talent for seeing that which others do not see.

You've heard the expression "to the untrained eye." Just like an old-school gumshoe can see clues in a crime scene that the young bucks can't, a learned photographer can see artistic potential in the play of light, line, color, texture, wardrobe, expression and pose.

Admit it, you "see the light" all the time and say to yourself or a friend, "That would make a lovely photo," or, "This would be a great place to bring my next client."

You don't need me to talk about developing your vision, your third eye, your sixth sense when it comes to art - but what you probably haven't considered is that a good business owner (as you aspire to be as a professional photographer) has the same special vision when it comes to seeing business potential and opportunities.

As photographers, we take pride and joy in our ability to see the potential for art that others miss. But when it comes to doing better business, often our untrained eyes leave us with our hands in the air, crying "I don't know what to do!"

There are four major arenas that make up the whole of your business:

  • Product: This is your art, what your clients directly pay for (beyond the great experience you provide). The better your art, the easier it is to market your services and sell your photos.
  • Marketing: These are the methods through which you bring in paying customers, either new business or repeat. Marketing is a wide swath, a huge part of your business, which is why most of what I write about here on PartTimePhoto.com is on this topic. The better your marketing, the better you're able to communicate the value you offer as a professional photographer to the people who need to know it.
  • Experience: This is the next stage after your marketing has done its job - once your client is in the door, beyond producing a great product for them, the experience you provide is what earns you repeat business. These are the touchpoints, the opportunities to go above and beyond and create positive memories your clients can't help but talk about. This is where you do all the little things that elevate a client's experience from being a consumer to becoming a superfan. The better your clients' experience with you, the more referrals you'll get.
  • Workflow: This is the backend of your business; not what your customers see, but the work you do behind the scenes. This is your routine, your system, how you get'er done. The better your workflow, the less time it takes you to do business, and thus the greater per-hour profit you earn for yourself and your family.

Vision is all about inspiration and where it’s found. Developing your vision as a business owner as you have as a photographer, you will see inspiration everywhere for great marketing, great customer experiences, and great ways to improve your business. It has a snowball effect - the more you develop your vision, the more ways you'll recognize business inspiration, and the more quickly you'll innovate in your business practices.

Within the four above arenas, here are some ways to exercise your vision:

Product

The quality of your product is the baseline for your business - the better your core product, the easier it is to market, get referrals, and charge above-average prices.

Great art multiplies the efficacy of your marketing time and dollars. Great art impresses clients and sends them bragging about you to their family and on Facebook.

But art does take time - few start out their adventure of part time professional photography as wildly impressive artists. Odds are you're definitely better than the average Guy With a Camera, otherwise friends and family wouldn't be encouraging you to do what you do professionally. But growing as an artist and improving the quality and consistency of your product is a long-term cycle of inspiration, education, and practice.

Again, I don't need to talk about artistic vision here; as a photographer, you know where you find inspiration: in the forums, in photography competitions, on photo blogs, in magazines, in other artists' great and award-winning work. You find it in a walk through the park, in a sunset, in the way light dances through a window in your home.

For inspiration in the presentation and polish of your product, look no further than Apple. Theirs is so refined that their many, many customers buy out of passion and desire as much as for the tangible usage of their products. When was the last time you saw a sexy MP3 player? A stylish laptop? A luxurious monitor? Apple has mastered the quality and presentation balance to a point where they can sell a technically inferior product with such style and desirability that folks pay above-standard prices for the privilege of ownership - they’ll even stand in line all night on release day.

Look for inspiration in any product that is highly-praised by its buyers, whether its a video game review on Metacritic or a car review on Edmunds.com - what do they say about the best products, and what's the real takeaway from each? Often, the takeaway is to over-deliver on client expectations - be better than your brag. One boon to being an artist is that you are always getting better, especially at the early end of your professional career.

Work to bring something new to each shoot. One additional pose, one additional joke to elicit a true smile from your subject, one additional scene to shoot at your preferred location, one new post-processing method. You'll see your repertoire grow with every shoot, and you'll see the fruits of your learning and practice as your per-client sales averages grow accordingly.

Marketing

You can't turn your head without being inundated by some manner of marketing: banner ads on the internet, billboards on the highway, print ads and press releases and advertorials in magazines and newspapers, radio ads, TV ads, newsletters (and worse, spam) in your Inbox, coupons in the mail, blathering boxes set atop gas pumps that harass you to buy discount hot dogs and sodas inside the convenience store...it's bloody endless.

Most marketing is pure, unfiltered crap - it couldn't convince a flame-engulfed billionaire to buy a five-dollar fire extinguisher.

But some marketing stands out. It's exceptional. It's subtle, or it's bold. It doesn't insult the viewer's intelligence. You can't ignore it. It slaps you across the face and makes you like it.

This is the kind of marketing you want to draw inspiration from. Not the late-night drivel on the network TV stations, not the back-of-the magazine ads to multiply your libido. Look for the best advertising and marketing campaigns in the world. The internet makes this dead easy.

Look to what marketing has inspired you to check out or even buy a product or service. Your car dealer, your realtor, your grocery store, your cycle shop, your favorite restaurant - how did you learn about them? What convinced you to choose them to spend your money with? Whether through a marketing piece, a story in your local paper, an ad in a magazine, a window display on Main Street, or a recommendation from a friend, it's all marketing.

I find a lot of inspiration in reading business magazines like Fast Company or Inc. Great articles on innovative businesses, and great magazine advertising within. The content puts you in the mindset of a knowledge-hungry business owner, which primes you to be inspired by the good ideas you glean within.

Great small business marketing blogs like Duct Tape Marketing can also keep your mind open to new business and marketing ideas.

I originally read these resources to find specific ways to improve my business. Now, I enjoy both those ideas and the discovery of new and interesting ways to present my business, based on the best practices I see in use by other companies. Ever see an Apple product announcement? "One more thing..."? The associated e-mail newsletter, the associated resources added to their web site? The media buzz? It's all on purpose. Be on the lookout, and when you separate the wheat from the chaff in all the marketing messages thrown your way, pick from the best and apply them to how you expose your business within your market.

Workflow

The gems of good workflow, of a good business system, are harder to spot. These are the behind-the-scenes practices that help keep everything running smoothly and efficiently. A good workflow lets you keep your gear ready, your backups handy, your archives safe, your photos processed, all in the smallest amount of time required to do a great job.

Pareto's Law applies fully here: 80 percent of your results will come from 20 percent of your actions.

For example, when post-processing a shoot, 80 percent of what your client will see and care about will be a result of 20 percent of the time you invest in post. If you're a perfectionist (as most artists are), you'll lose a ton of time trying to achieve that extra five, 10, 15 percent of improvement beyond 80 percent.

When you're getting paid thousands or tens of thousands of dollars each job, then you can afford to invest that kind of time in attaining near-perfection; in fact, at that level of art and clientele, it's likely a requirement. But in the trenches, here on the start-up end of the industry, you'll get far more return on your time investment by strictly following the 80/20 rule.

That extra hour or two (or four) spent chasing perfection in post is surely better spent directly serving your clients and marketing your services.

So where to look for inspiration?

One of the best sources for me has been to read books about businesses, about business innovation, such as business biographies, stories of business successes, and such. Online and in the forums, you can also read real-world talk from people in the trenches doing the work, like here on PartTimePhoto.com.

Study fast food restaurants. Study car dealers. Study any business that benefits from a business system that maximizes efficiency and consistency.

Have you ever experienced exceptionally fast turnaround from a business? What's their backend system like that makes them so much faster than the competition? Find me a service station that can turn around an oil change consistently in 15 minutes or less (with washed windows and vacuumed floorboards), and I'll gladly pay extra. As a parent, add in a small play area with clean, fun toys for kids and a big screen TV with ESPN or CNN on, and I'll probably never even consider going elsewhere.

Photographers eat a lot of time on post-processing. Can you learn to create Photoshop Actions that will make your workflow go much faster? Could you use different software for culling and processing photos (I use Bridge and Camera Raw with Photoshop)? Could you give yourself a time limit and no matter what, adhere to it?

At its simplest, ask yourself, what would make your job easier? What would make it simpler? What can you outsource (especially web design, another realm where photographers can endlessly sink time in trying to exercise control and indulge perfectionism)?

Parkinson's Law says that work expands so as to fill the time available for its completion. You may find that simply giving yourself a hard time limit for tasks that otherwise have the ability to spiral beyond control (post-processing, blog reading, hanging out unproductively in the forums) forces you to focus only on what matters most - the 80/20 rule - what gives you the most results in the least amount of time.

Watch for how others apply the 80/20 rule to their business to maximize their per-hour profits.

Experience

There's a reason I preach about the Customer Experience every bit as much as marketing and art: it's where most companies fail, and where you have the immediate ability to make big improvements in your business.

In seeking inspiration for how you can better the experience of your own customers, ask yourself or others you respect: what experiences as a customer stand out in your memory as exceptionally positive? When have you received great customer service or enjoyed comfort or simplicity above and beyond the norm? What customer experiences have you had that you've gone out of your way to tell friends or family about?

The customer experience ties into every touchpoint in your business, from how you answer the phone to the jokes you tell during a shoot to the wrapping you use to deliver your client's purchase. A great customer experience is so rare as to be downright refreshing nowadays. It goes beyond customer service - it's a level of thoughtfulness that shows a business both understands its customer and truly strives to delight them at every step.

Many times, it's the "duh" moments, the simple stuff, the little things. Wouldn't it be fantastic if all these self-serve DVD rental kiosks showed the Rotten Tomatoes score for each movie inside? How about if you could sort inventory by score and availability? What if they let you sign up for e-mail or SMS notifications of when a certain movie was returned or newly-available? What if they had a smartphone app or web site where you could go to "re-rent" a movie and save 50 cents on keeping it an extra day, just in case you didn't get to watch it in time?

Look not only for instances of where a business does all the little things right to give you an exceptional experience as a customer, but also for those times when businesses merely maintain the status quo (which, sadly, is most often the minimum possible), doing nothing to go above and beyond in meeting your needs or delighting you along the way.

More often than not, you'll find that these little touchpoints, all the little moments of thoughtfulness and purposeful delighting, cost little to nothing to provide, but mean so very much to your clients. Remember above where I mention my dream service station with a clean family room and ESPN on the big screen? My oil's getting changed either way, but I'll pay more, tell my friends all about it, and never go elsewhere.

That's the kind of experience you want to create for your clients, and you'll find inspiration to do so in watching for examples of it in the businesses you and your social circle frequent.

Imitation, the greatest form of flattery

In the midst of all this inspiration, don't find yourself plagiarizing other businesses. No more than you would identically recreate another photographer's image, would you want to straight up jack another business' inspired marketing campaign.

However, there is nothing at all wrong with imitation, with taking inspiration from other great work. Just as you have photographers whose art you admire and try to learn from, look to successful businesses in structuring marketing pieces, incorporating the best practices of efficient workflow, and creating memorable experiences for your clients.

Don't just look to other photographers by any means - the worst thing you can do is grow to become "just another photographer" in your market. See how excellence is on display by businesses across many industries. Incorporate the best ideas, put your own twist on them (trust your own creative instincts), and reap the ever-multiplying awards.

Just as it took time to develop your vision as an artist of photography, it will take time and practice to develop your vision as an artist of business. But it will come. Plant the seed in your mind, make proactive efforts to exercise your business vision, and savor the newfound inspiration that surrounds you.

Next Steps

  • Go to Amazon.com, type in the name of a product you know people adore, and read the customer reviews. Study and learn. Take notes on what people are "really saying," what the real takeaway is, and how you can incorporate these ideals into your product and business.
  • Go to Yelp.com, type in the name of a local service business or restaurant you know folks love, and read the customer reviews. Study, learn, take notes.
  • Go to Google.com, and search for lists of award-winning advertising. Study, learn, take notes.
  • Make it a short part of your morning routine to remind your subconscious to be attentive to business inspiration around you. Day by day, with practice and a bit of proactive effort, you'll find yourself inspired by new ideas to help you do better business. A quick way to do this is to thumb through a few pages of Fast Company or Inc. with your morning coffee - it'll prime your mind for the day.
  • For every book you buy about the art of photography, purchase and read a book about the art of business. Duct Tape Marketing by John Jantsch, Book Yourself Solid by Michael Port, The Thank You Economy by Gary Vaynerchuk, The Dip and Purple Cow by Seth Godin, Customers For Life by Carl Sewell, The Starbucks Experience by Joseph Michelli, are great places to start.
  • Brainstorm session: Consider for a moment the best Product you ever used, the best Marketing you ever saw, the best Workflow you ever read about, and the best Experience as a customer you've ever had. Write down each of these, the why behind these choices, and a brief brainstorm of ways you can learn from and incorporate these ideals into your photography business.
  • My writing at PartTimePhoto.com exists to serve your needs as an amateur photographer making the transition to paid professional. I appreciate and welcome your readership, and invite you to subscribe to my e-mail newsletter at the top of any page of this site.
  • Where have you found inspiration for your business? Leave a comment below, e-mail me, or call or text me at 830-688-1564.

40 ways to help your clients prepare for an awesome photo shoot

Your clients are not your adversaries.

Despite how the grognards view their paying customers, and the advice they give to gifted young photographers like yourself just starting out in the business, the people you shoot and sell to are not your enemy.

In fact, it's in your own financial interest to educate and empower your clients as fully as you can.

One way to do this is with a Client Prep Cheat Sheet.

This is a small set of general advice for clients to get the most out of their photo shoot. You don't want to just assume that high school senior girl knows to freshen her nail polish the morning of the shoot - you don't want to assume Dad knows to moisturize around his nose leading up to the shoot to avoid flaky, dry skin.

You can't force your clients to perfect preparation, but you sure as heck can give them the knowledge necessary to do so. A photo shoot of any kind is no small investment for most families, so if you can give them the tools they need to make the best photos they can, you're providing added value beyond just your artistic talents.

I talk often about creating a better experience for your customers, something you can do today, right now - no training and little to no practice necessary. Taking the time to put together a cheat sheet for clients to glean hints and tips from is another way to go beyond the 'book, shoot, sell' mentality of many established photographers.

What goes into your Client Prep Cheat Sheet

The best way to build your own cheat sheet for clients is to just go back through the shoots you've already done and identify all the shoulda's - shoulda told her to bring hair clips for the wind, shoulda told him not to wear a shirt with a distracting print, etc.

We photographers could use a cheat sheet for our own preparations as well - and I'll elaborate on this in a later article.

I sat down with my wife, who does all of our baby photography and has modeled for over a decade, to put together a list of suggestions and advice to share with your clients. Take what you like, toss what you don't, and most importantly, grow and evolve your cheat sheet to address the shoulda's you run into as you photograph more and more clients.

General Advice

  • Hair - If you're getting a hair cut for your shoot, do so about two weeks beforehand, just in case it goes wrong - you just never know. For men, a fresh cut a couple of days before the shoot is fine.
  • Hair accessories - If you're shooting outdoors, be ready to put your hair up and make it look nice in case of a windy day. Bring bobby pins, hair clips, headbands or any other favorite accessories.
  • Glasses - If folks wouldn't recognize you without glasses, you want to wear glasses in your shoot - however, the glare on glasses can detract from your eyes in photos. You can have your lenses removed from your frames for your shoot (don't worry, it's what Hollywood does to avoid glare in movies), ask your eye doctor to loan you a pair of similar frames, or you can also visit an inexpensive company online like Zenni Optical and buy a suitable pair of duplicate frames on the cheap.
  • Red eyes - Visine is your friend. Not getting drunk the night before your shoot helps, too. [Don't think I kid, I've shot plenty of hung-over clients.]
  • Lips - You will probably wipe or lick your lips during your shoot, so bring fresh lip gloss or lipstick to do touch-up. Use lip balm for a few days in advance of your shoot to make your smoochers look their best.
  • Teeth - If you want to brighten your smile, start your treatments about two weeks before your shoot.
  • Breakouts - Start using African Black Bar Soap for a week in advance of your shoot to help reduce and limit pimples and blemishes. Equally important, don't cake on a lot of make-up to try to hide blemishes - it's almost always easier to Photoshop away pimples than to clean up overdone make-up. For fever blisters, avoid getting them in the first place, then use Abreva if one pops up anyway.
  • Make-up - A subtle application of make-up can really soften your skin and accent your facial features. But make sure you know what you're doing, and make sure it matches your skin tone, or your face may look orange compared to the rest of your body.
  • Facial hair - Men, be freshly shaved with a new razor, shaving cream and a moisturizing after-shave lotion to avoid bumps and redness. Trim up your board, sideburns, moustache or goatee, especially looking for wiry stray hairs. Ladies, even if you have some light facial hair (particularly around your lip or chin), indulge in a waxing in advance of your shoot - even barely-there light facial hair will be noticeable in your photos. Men and women both, pluck and clean up those eyebrows.
  • Moisturizer - Dry skin can really detract from a great photo shoot. Start moisturizing nightly a week in advance of your shoot. When you get out of the shower, dry off until lightly damp, and slather on moisturizer. Focus on your arms, shoulders, neck, face, hands, anywhere you'll be exposed to the camera. This includes your legs if you're shooting in shorts or a skirt. ProTip: For dry skin on your face, especially around your nose, use a sugar scrub. Mix a cup of sugar with about a quarter cup of olive oil, or just until it looks like wet sand. Scrub your face with it anywhere you have flaky skin, wash it off, then wash with soap to remove the oil. The sugar paste shouldn't be oily, just wet enough to moisten the sugar. Also, be sure on your face to use a facial moisturizer, not a thick body moisturizer, or you could break out. [Us men, of course, are most in need of this advice, especially around the face and hands.]
  • Nails - A fresh coat of nail polish will make a world of difference in your photo shoot. Pick a neutral color that won't distract in your shoot or clash with your outfits. Freshen the morning of the shoot, then be careful not to scuff it while prepping. [I see this most often with high school senior girls, to whom half-gone nail polish seems to be a popular fad.] Your photo shoot is a great excuse for a fresh manicure, but if you can't go to the salon, make sure your nails look tidy and clean, including the cuticles.
  • Bloating - Ladies, avoid high salt and high fat foods for two to three days in advance of your shoot. Being bloated will sap your confidence and comfort in front of the camera.
  • Undergarments - Bra straps won't do anything to help your outfit look its best. Be sure you bring a set of bras and strap-adjusting accessories to work with any outfit you want to shoot in to keep those straps well-hidden.
  • Sun burns and tan lines - If your shoot is booked for Saturday, don't go to the beach on Friday. If you plan to tan before your shoot, do so at least a week beforehand and don't get burned. Be mindful of clothing tan lines, sunglass tan lines, hat tan lines, etc.
  • Ironing - If you iron, iron the night before and then hang the clothes for your shoot. If you're wearing something that wrinkles easily, don't wear it in the car on the way to the shoot - just change at the location.
  • Shoes - Ladies, can't go wrong in heels or wedges. Men, clean'em up! Dress shoes are best [or boots down here in Texas], but as with most things, let your momma or your wife decide.

Here are some specific suggestions for certain types of shoots:

Maternity

  • Moisturize that belly!
  • Gather your props to bring along - ultrasound printout, alphabet blocks that spell your baby's name, baby shoes, stuffed animals, flowers, whatever you've seen in other maternity photos that you like.
  • Wear whatever you feel comfortable and pretty in - long, flowy skirts, especially solids are nice, and strapless bras that coordinate with them. Tube dresses are great for showing off your shape. Bring a pair of regular jeans, not the belly panel ones. A button-up shirt also makes it easy to transition into showing your belly.
  • If you're doing semi-nude/implied nude photos, bras and underwear will create noticable lines on your skin, so wear loose-fitting clothing to the shoot. You can add undergarments as necessary for photos later in the shoot.
  • Do bring your significant other! They'll make a great prop for your photos, and greatly expand on the number of different photos you can make during your shoot. They should bring outfits that coordinate with what you'll be wearing, or a dark long-sleeved shirt or sweater and dark pants. The focus should always be on you, your expressions, your emotions, your personality, your joy and your connection.

Newborns and Babies

  • Use a wash cloth to clean away flaky skin and eye boogers.
  • If your baby has flaky skin, cradle cap, or eczema, I can highly suggest Lil' Outlaws Rump Rub [seeing as it's made by my wife!]. It's handmade, it's vegan, it's chemical free, I know exactly what's in it, and it works wonderfully.
  • Trim those tiny fingernails and toenails with appropriate baby trimmers.
  • Book your shoot around your baby's feeding and nap times, work with the natural rhythm of your baby. The perfect time to shoot is right when the baby would be laying down for a nap. If your baby normally falls asleep after a feeding, wait to feed the baby until you're at the shoot. Baby photographers allot plenty of time for this sort of thing to set up the best situation for great photos.
  • Dress up paper diapers. Cloth diapers are classy and stylish, but if you don't use them, bring bloomers or decorative diaper covers, solids preferred.
  • Nothing is the best wardrobe for a newborn - no outfit fits a newborn well, and they often look swallowed in clothes. Accessories are good, though - little hats, dainty headbands, boys in crocheted hats, etc. Bring sentimental items like the quilt that Grandma made for the baby, a baby blanket from your own childhood - they're great for the youngster to lay on.
  • If your baby takes a pacifier, bring it - if they're bottle fed, bring an extra bottle to help put the baby to sleep.

Children

  • Clean, clean, clean - clean nails, clean hair, wipe away eye boogers, clean feet (sandals on kids = black feet!), wipe snotty noses, fresh-scrub teeth. The cleaner the kid, the better their photos will turn out.
  • If your child is still in diapers or pull-ups, tuck'em in or wear bloomers.
  • If your child is still of napping age, make sure they nap before the shoot.
  • It is perfectly okay to bring bribes to a photo shoot - given a stage and being the center of attention, it's like our kids know exactly when to act their worst. Some cereal, smarties or other candy that won't stain teeth can help a short photo shoot go by smoothly.
  • Avoid colorful drinks or lollypops within 24 hours of your shoot, don't let them eat or drink anything that will stain their face, teeth or mouths.
  • Wardrobe - For girls, you can't go wrong with cute dresses, rompers, and dainty hats or headbands. For boys, jeans and polos or a button-up shirt, or a T-shirt with a button-up over it can be very cute, as well as overalls on the right age and personality. For siblings, the children don't have to match perfectly, just coordinate. You can't go wrong with dark, rich monotones, which drive the attention in photos to sweet faces and darling expressions instead of loud prints or colors. If nothing else, pick a color that compliments your child's eye color.

Families

  • Dad - Have a fresh shave or trim, and use a new razor with shaving cream and a moisturizing after-shave lotion to limit bumps and redness. Make sure nails are clean and trimmed. Wash your hands. Clean up your shoes. Moisturize and scrub away flaky facial skin (see above General advice). When you wash your face, pay attention to eye boogers and sleep crusties. For wardrobe, go for jeans or pants, tucked polo or dress shirt with a belt, or go casual with just a T-shirt or untucked polo, button-up short sleeve, etc. In general, whatever your wife tells you to wear. Again you don't have to perfectly match the rest of the family, just wear something that coordinates.
  • Mom - Women know what to wear, but in general, unless you are extremely thin you may want to wear something that covers your upper-arms. Long- or 3/4-sleeve tops are very flattering. If you wear jewelry, aim for subtlety, and be aware of it twisting or turning.
  • Kids - Same advice as above, but again, everything needn't match, simply coordinate with the parents' outfits. If Dad's in a T-shirt, don't put the kids in dress shirts - make it make sense.

High school seniors

  • The biggest tips for seniors are to have an even tan, don't get sunburned, clean and freshly-paint those nails, and moisturize and scrub away dry skin.
  • Bring a variety of outfits - cap and gown, something casual, something stylish, ladies slip a dress in there to throw folks off, fellas try a formal look to impress. Wear what you think you look best in, but take the opportunity to also try a new look, just to surprise folks.
  • Bring props that recall your high school years - band instrument, sports gear like a volleyball or baseball bat, your beloved (or cursed) high school car, letter jacket, sunglasses. Most of all, rep your style, whatever that may be. Your senior photo should be unique to your life and personality.

As they say, an ounce of prevention beats a pound of cure any day. Just as you educate your clients about copyright during your sales session, you can empower your clients by educating them how best to prepare for their photo shoot with you.

Again, there is no hard and fast set of advice you should share with clients. Use this Client Prep Cheat Sheet as a foundation for your own, and sculpt it to address the issues you run into most often on shoots.

Next Steps

  • Why wait? Cut and paste the above tips into a text file or e-mail template so you can e-mail the appropriate set of information to your next photography client. Send out your Client Prep Cheat Sheet when your client books with you. Post your Cheat Sheet to your web site or blog. Educate and empower your clients to help you give them the best photos possible. Go through the list and reword, rewrite, remove, or add on anything you see fit so your Cheat Sheet is custom-built for your clientele.
  • Do a Google search and peek at other photographers' pre-shoot client advice posted online. If you see something you like, rewrite it for your clients and include it in your own cheat sheet.
  • Brainstorm session: What are the three most common 'mistakes' you see your clients making when preparing (or not) for your shoots? What are the shoulda's that your clients would most benefit from knowing? File this in your Brainstorms folder.
  • My writing at PartTimePhoto.com exists to serve your needs as an amateur photographer making the transition to paid professional. I appreciate and welcome your readership, and invite you to subscribe to my e-mail newsletter at the top of any page of this site.
  • What are your three most important prep tips for clients? Leave a comment below or drop me an e-mail.

Response time and turnaround – how to beat the competition for free

There are plenty of ways to spend money to try and get a leg up on your competition.

But there are equal opportunities to spend nothing and pull ahead.

One of the easiest ways to offer added value for your part time photography clients without touching your business checking account is to improve your response and turnaround times.

In case you hadn't noticed, today's society is deeply in love with immediate satisfaction, and consumers are willing to pay top dollar for convenience and speed – sometimes even at the sacrifice of quality.

Let's look at the two biggest opportunities you have to serve your clients in a way the competition may be unwilling – or unable – to match.

Response Time

“You've reached James at Outlaw Photography – please leave a message after the beep and I will get back to you as soon as possible.”

That's what you'll hear if you call my cell phone, assuming I don't answer because I'm already with a client or (entirely likely) asleep at some random part of the day.

The clock starts ticking from the moment a potential client sends you an e-mail or leaves a voicemail message searching for a return call. It's easy to gloss over these “call me back” messages and save them for batch processing later in the day...or week... But I don't think I have to harp on the fact that procrastination will do nothing to ingratiate you to customers.

If someone has taken the time to e-mail or call, they're as qualified a lead as you can get – they are interested in what you have to offer and are proactively trying to give you money.

If you want to pull ahead of the competition – don't make a buying client wait.

A lot of newbie professional photographers have, like any human being, a notable fear of the unknown. Confidence takes preparation and time to build, and in the interim, picking up the phone to call back a potential client can sometimes be curiously challenging. Sometimes you feel like you barely know what you're talking about, and you fear coming off as a sham.

Like breaking through the first 15 minutes of a good run or gym workout, you've got to muscle through the discomfort so you can get In The Zone.

Some obvious, but valuable and often ignored, protips:

  • If the phone rings, answer it – preferably with a big smile and introduction. If I'm calling to spend my money with you, the two worst things you can do are to sound bored or answer with a frustrating, “Hello?”
  • If you can't answer the phone – for reasons of proper or illicit nature – have a nice, professional voicemail greeting recorded. Then get back to callers as quickly as you can – within minutes is best. As soon as possible should mean just that. The sooner you call back, the less time your client has to lose interest, or worse, shop the competition.
  • Same goes for e-mails – keep an eye on your Inbox and get back to people as quickly as possible. If they leave a phone number, try calling first, unless it's after dinner hours. Just as it's easy for you to ignore an e-mail, it's easy for clients to ignore or simply fail to respond to yours. If you can get them on the phone, you show a real interest in their business and they're more likely to book on the spot.
  • Even if you can't answer a caller's question immediately, such as if they want to talk about dates and you're cruising on the Interstate, answer the phone or call back anyway. They will appreciate just getting to consult with you about the shoot, get their questions answered, and you can ask to call them later in the day when you're in front of your calendar. They'll already be sold that “you're the one” and will wait for your contact instead of shopping around.

An example of this practice in action: I was working late at the office last week and got an e-mail from a woman shopping around for wedding photographers, the typical “I'm interested in wedding photography, please send me your prices and packages,” message. So I took two minutes to shoot off a quick response. We e-mailed back and forth a few times over the next 15 minutes, and set up a consultation at the coffeehouse here in Bandera.

When we sat down and visited, by the end of the conversation, my new client told me the number one reason she met with me was because I responded so quickly to her e-mail. She said she e-mailed a dozen photographers - half took days to get back to her, and the other half she hadn't even heard from a week after.

Unbelievable.

Actually, it isn't unbelievable – because it happens all the time. And this is yet another of the big, hairy, audacious opportunities that your competition is leaving open for you to take advantage of. Certainly not just for wedding photography, this applies to any client need – the faster you can turn around a response or request or order, the more impressed and loyal your clients will be.

I don't buy the manipulative grognard horsesh*t of not responding “too quickly” because you want to look busy, and not desperate. Buyers are shoppers – if I'm hungry, the restaurant that's open now is the one that gets my money. I can't tell you how many times I've eaten at Church's Chicken just because it's walking distance from my office.

Much as we photographers, we artists, like to pretend otherwise, most clients are not anxiously waiting by the phone for our return call, desperately wanting to shoot with us and only us – especially at the start-up end of the market.

My new wedding client drove over an hour to visit with me out in Bandera, coming out of the metroplex of San Antonio - over a million strong in population and overflowing with photographers. And she volunteered the reason was primarily because of my response time. That's knowledge you can take to the bank.

Turnaround Time

I can talk a blue streak just about responding to client inquiries as fast as you can.

Your second opportunity to use speed to stay ahead of your competition is in turnaround time, how long you take to turn around client requests and orders.

This is especially crucial near your local high schools' graduation ceremonies. Parents love to have great, up-to-date photos of their seniors to send out with graduation invitations. But like most folks, they procrastinate until the month or so before graduation.

I used to tell people it would take about a week to turn around proofs. I mean, that's what everyone else does, right? Don't want to look too desperate – and we want to make it appear that we spent a lot of time being artistic in preparing these precious proofs!

Well, that was all BS.

The real reason was that I was lazy, and I justified that laziness with the idea of trying to mindfreak my clients into thinking I was busy being an in-demand artist.

That's disingenuous and the kind of manipulation I abhor – as a consumer and as a businessman. As with an honest mechanic, if something takes 15 minutes, it takes 15 minutes; if it takes three hours, it takes three hours, not three days or three weeks.

I've refined my workflow to dedicate about an hour to post-process a shoot for proofing and sales. Barring dinner or other engagements, guess how long it takes for me to turn around proofs for my clients? That's right – one hour.

Unless another photographer moves into Bandera County and starts shooting and selling portraits like a good rodeo or event photographer (two-person team, one shooting and handing cards to a second person who processes and has proofs ready as the shoot is ongoing), nobody could beat my turnaround times even if they wanted to.

And this is the point I don't want you to lose in this sea of advice:

You won't start out with the best art, the most business savvy, the best marketing – but you can start giving your clients an exceptional experience right away.

Ignore what the grognards do and say, or “how everyone does it,” and ask yourself how you can do better by your clients right now – ask yourself how you'd prefer to be treated.

Stepping up to a faster turnaround is a no-cost opportunity to add value to your professional photography services. You're just shifting processing time from later in the week to immediately after your shoot. It takes some energy, some stamina to give your all on a shoot then get on your computer and start processing, but the good word of mouth will fatten your bank account much faster than procrastination.

Next Steps

  • How fast can you turn around proofs on your next shoot? Race yourself, just for fun – apply the 80/20 rule and see what 20 percent of processing you're doing that's giving you 80 percent of your artistic results. Try to get your post-processing time below one-hour on a one-hour shoot – this includes all post-processing, including offloading the camera, backing up the shoot, culling, processing proofs, black and white conversions on your favorite shots, and walking away from the computer ready to show and sell. No room for self-indulgent perfectionism here. Keep practicing – it does get easier and faster with time.
  • Brainstorm session: Take an evaluative look at your competition, any other photographers or studios marketing to your potential clients. Look at every detail a client might consider: artistic style, uniqueness of art, personality, session fees or minimum orders, print pricing, availability and pricing on files, forced package buys, friendliness of policies and treatment, speed to turn around proofs or orders, simplicity or complexity of their marketing message and policies, social proof (are they using testimonials well?), social media, permission marketing (e-mail newsletter), keyphrase-richness and personality of blog posts, professionalism and warmth on phone calls, informative content of web site, transparency and speed of e-mail responses, speed in returning voicemails, who their coop marketing partners are, so on and so on. Some of the best marketing education you can get is in shopping your competition. Which of their strengths can you match or better? How can you maximize on their weaknesses? Where's the gaping hole of opportunity? File this in your Brainstorms folder.
  • My writing at PartTimePhoto.com exists to serve your needs as an amateur photographer making the transition to paid professional. I appreciate and welcome your readership, and invite you to subscribe to my e-mail newsletter at the top of any page of this site.
  • What's your competition doing wrong? What can you do to capitalize on it? Leave a comment below, e-mail me, or call or text me at 830-688-1564.

How to use coop marketing to instantly build your client list

I had to swing six times before I even hit a single past short while writing the headline for this post. I promise you, coop marketing is not as dry as it sounds.

In fact, it's one of the easiest ways to get your work in front of the eyeballs of your target market.

Coop marketing happens when you work with another local business on some project or campaign that brings in buzz and new clients for both of you.

For example:

  • A high school senior photographer can partner around prom time with the local dress shop, limo service, tuxedo rental, flower shop, even the venue hosting the dance itself.
  • An engagement and wedding photographer can partner with many of the same businesses, adding the local jeweler, churches, other venues for ceremonies and receptions, caterers, and wedding planners.
  • A maternity photographer can partner with the local maternity boutique, obstetrician, midwife, and spa (trust, by third trimester, momma gonna wanna foot massage).
  • A baby photographer can partner with the local hospital delivery room, birthing center, pediatrician, baby clothing boutique, kids resale shop, work at home moms who make crafty baby accessories, lactation consultants, car seat safety consultants, cloth diapering groups, the gym, urgent care center, pediatric areas of the local hospital or ER (I'm not sure I've met a parent who hasn't ended up here at least once during their child's first year), even the newspaper (birth announcements).
  • A family photographer can partner with some of the same, adding the community center, Sunday School, Boys & Girls Club, Boy Scouts and Girl Scouts, youth sports leagues, public and private schools, restaurants, arcade, city government (always in need of good art for Public Service Announcements), parenting groups, theme parks and water parks, the mini-golf course, etc.

Get the idea? There are countless local businesses that serve your target market, whatever that market may be. Especially if you're just starting out, they likely have access to far more eyeballs in that market than you do, so finding ways to benefit their cause and get your name and photography out there is a boon for both parties.

The "Who" of coop marketing isn't too hard - it's anyone that serves your target market, but with a different product or service. You know that high-end, way-overpriced children's boutique downtown? What would it be worth to land the business of just a few of their clients?

Although I throw a lot of names out there as options to partner with, don't be overwhelmed - here at the beginning, you just want to focus on landing one good coop marketing relationship with one business that also serves your target market.

A good coop marketing relationship can easily provide you more than enough clients to book solid a light shooting schedule. A great relationship can give you even better returns.

The Who's easy - the Hows will require a little creativity.

How to make You and Who happy

I love the marketing side of running a photography business because it lets me turn loose my imagination on the endless ways to make an effective, favorable impression on potential customers. It's fun because there's no limits - often, the more creative the marketing campaign, the better it works.

The basic premise of a good coop marketing relationship is cross promotion. You and Who you're marketing with should both benefit from the campaign or event.

Let me break down one of my favorite coop marketing Who's and How's so you can better see the inner workings.

Chie Petit Boutique resells children's designer clothing and accessories downtown. If I am a children's photographer, this is exactly the kind of place where I want my work and my name seen.

I would pay them a visit, shop around their store, get a feel for the place. I'd look at how they use their wall space - is there some room in there for big, juicy 20x30 portraits? Perhaps in their window display? Behind the register?

I'd then approach the manager of Chie Petit Boutique and suggest a coop marketing campaign. I'd set up a contest for her customers to fill out a little form at the register and slip it into a box, and at the end of the month, we would draw five or 10 winners to receive full photo shoots with maybe 10 hi-res digital files on CD each, an $XXX value. The best photo from each winner's shoot would be printed 20x30 and hung on display in the boutique. The only rule: the winning children must be photographed in the outfits they purchased from Chie Petit Boutique.

(And if the manager or owner of the boutique has children, I'd sure as hell make them my first subject!)

Let's line up the many benefits for everyone involved here:

  • I as the children's photographer get my name and work in front of every customer at Chie Petit Boutique via my attractive little display at their register promoting the contest and holding entry slips.
  • The entry slips would include language that the entrant gives both myself and the boutique permission to sign them up to receive our e-mail newsletters, building both of our very valuable e-mail lists.
  • I get face time with five to 10 high-value clients. Now's my time to shine - if I give them a great experience and create for them art they can truly enjoy, they will come back to me for their future photography needs. I'll lose my time on the front end, but I could easily gain a lifetime annual client if I do my job well. And considering the clientele, odds are I will sell some wall prints to these folks, above the free images on CD they won in the contest.
  • The best of my artwork from each shoot then goes on display in the boutique - my photographs will adorn the walls of this highly-trafficked downtown business, with business cards available by each framed print or at least at the register.
  • Having each winner sign a model release so their art can be displayed in the boutique, I also gain the benefit of padding my portfolio with their images.
  • Guaranteed, once I've shot all of the winners, I'm going to write up a big blog post about the contest, about working with the winners, and put the results on display on my web site. I'll promote the images as a Series or Collection "created exclusively for Chie Petit Boutique."
  • Chie Petit Boutique enjoys a boon of buzz and business from clients excited to participate in the contest. With five to 10 winners to be picked, each potential entrant will be more compelled to participate, because unlike most contests, they actually have great odds of winning.
  • The boutique can repurpose the images into a great advertising or marketing campaign, slick magazine style, showing how stylish little boys and girls look in their clothing.
  • The boutique gets to reward five to 10 of its beloved customers with free, fab photo shoots. That positive experience, provided by both the photographer and the boutique, will not quickly be forgotten by the winners. And you think they won't be bragging on Facebook about winning? Word of mouth advertising in spades.
  • The boutique will get to adorn its walls with professional photography of its very own clients and products. Those winning customers will take every chance they get to bring a friend or family member into the boutique to show off their lovely children, on display right there on the walls of the most swank boutique in town.

This is the kind of win-win coop marketing project fellow business owners will go gaga for. You may meet some resistance because true win-win partnerships are rare enough that most small business owners are very slow to get on board. But once you get that first campaign under your belt, you can use its success to show other business owners how working together can tangibly improve their bottom line.

So once I've got the manager of Chie Petit Boutique excited about the project, how do I get the word out?

Promoting a coop campaign

You promote a coop marketing campaign like you would any special photo sale or event you might do in your part time photography business - via blog, social media and PR.

But with a second business involved, the campaign gains the benefit of double the voice, and double the exposure.

Each business can promote the contest on their blog, Facebook and Twitter accounts.

The two businesses can prepare a joint press release and work the local media for a story about the partnership and campaign (especially likely to work if you can find a way to make the campaign benefit a common charity, cause marketing).

I can recommend to my clients that they visit the boutique and enter the contest, and provide them the boutique's marketing materials; the boutique can hand out my business cards or brochures with their customers' purchases during the contest period.

If we decided to try some paid advertising for the contest, we would be able to split the cost.

If you're just starting out, the other business may have a much larger network to promote the contest to, but you'll both benefit from having more potential clients visit your partner and sign up. In fact, the larger the network of your partner business, the better. Hard to beat going from unknown to exciting business partner overnight.

The above example is just one small, easy way to set up a mutually-beneficial coop marketing campaign. There are endless partners and variations of events and projects you can put together - again, the more creative, the better. The goal is to build buzz, get your name and artwork out there, bump traffic and excitement for your partner business, reward your partner's customers, and end up with a long-term relationship that keeps your work on display and improves the decor of your partner's business.

Next Steps

  • What part of your photography business would you like to grow? Who makes up that target market? Where do they shop or do business? Make a list of potential partner businesses in your community. Order your list by which business you would most like to work with on a potential coop marketing event or campaign (because of traffic, location, clientele, style, personality, whatever metric you want to use).
  • Get in your car and drive over there. Look around, shop around, and visit with the manager. Kick around ideas and measure their enthusiasm. If they're excited, start working together on a project that will benefit both of you. If they're not interested, drive straight over to No. 2 on your list. Don't stop until you have a partner to work with.
  • Look around your community and see how different combinations of businesses, services, and products work together to form marketing partnerships where the sum is more buzz-worthy than its component parts. Start looking for your own opportunities as you work in and around your community.
  • Brainstorm session: Let your imagination run wild and come up with as many ideas for coop marketing partners and creative campaigns or events as you can in one sitting. No idea is too far-fetched, no potential partner is out of reach, just let your mind run and write down everything you come up with. This list will prove a goldmine of marketing opportunities over the years. File this in your Brainstorms folder.
  • My writing at PartTimePhoto.com exists to serve your needs as an amateur photographer making the transition to paid professional. I appreciate and welcome your readership, and invite you to subscribe to my e-mail newsletter at the top of any page of this site.
  • What's the most fun, exciting, creative coop marketing campaign you can imagine doing in your community? Leave a comment below, e-mail me, or call or text me at 830-688-1564.

To do with more what can be done with less, is vanity

Occam's Razor: To do with more what can be done with less, is vanity.

Don't fall victim to the endless barrage of "you gotta have this!" and "you gotta do that!" and "you gotta spend money to make money!" horsesh*t you read every single time you get on the Internet.

By the time you "need" brochures and postcards and direct mail campaigns and print/radio/online/CPC/CPM/banner/TV ads and a professionally-designed web site and an iPad and a projector and a comfy sales room with framed prints on the walls and Photoshop CS5 and Lightroom 3 and Animoto and a hand-stitched leather 16x20 print portfolio and die cut business cards and a marketing consultant and an outsourced post processing team and studio management software and a portable studio and Profoto strobes and PocketWizards and HD behind the scenes videos and a professional logo and all the other endless BS that gets shoved down photographer's throats (by vendors and by other grognard photogs)... My friends, by the time you "need" any or all of that, you'll be making more than enough money with your art to invest in anything you want.

The basics, the fundamentals, the stuff that gets out there and does real work at getting clients in the door...it costs next to nothing.

Hustle. And don't spend a dime on anything that won't hustle on your behalf.

Next Steps

  • Put away the B&H catalog, quit staring anxiously at your Amazon.com shopping cart, and go talk to people about photography. Volunteer to do photos for a local charity, hit the town and be seen with your camera, get your Facebook Fan Page up and tell your family and friends, write something fresh for your blog, or any of the many, many other simple acts of marketing that will make the real difference in your business.
  • This is one of the shortest posts I may ever write for this blog, but I truly believe the insatiable "gotta have more stuff" mentality is a disease killing off the momentum and motivation of so many potentially great artists as they try to break into this industry. It's a disservice to both the artist's muse and the potential clients who may never get to benefit from that artist's talents because he or she just can't get past the starting line. If PartTimePhoto.com never does anything more, I hope it vaccinates new-to-the-fold professionals from the debilitating effects of this disease. Want to take action? Read this post again, and take it to heart. You are all you need to be successful.
  • My writing at PartTimePhoto.com exists to serve your needs as an amateur photographer making the transition to paid professional. I appreciate and welcome your readership, and invite you to click the free “Subscribe” link at the top of any page of this site.
  • How can you apply Occam's Razor to your part time professional photography business? Leave a comment below, e-mail me, or call or text me at 830-688-1564.

What the super-rich can teach us as entrepreneurs

I love Esquire Magazine - I dare say it's my favorite read out of the many, many magazines I subscribe to. The wit, confidence, and personality makes reading it like having a couple drinks with a buddy whose bravado is such that his mere presence makes you feel like a more capable human being.

In their April 7, 2010, slideshow, "What I've Learned: Secrets of the Super-Rich," you pick up some tight one- and two-liners from some of the richest men of our time. Donald Trump, Rupert Murdoch, and the like.

Here's my take on their advice, and how it applies to what we do as part time professional photographers:

"You have to pretend you're 100 percent sure. You have to take action; you can't hesitate or hedge your bets. Anything less will condemn your efforts to failure."
- Andy Grove, former CEO of Intel

As I've written before, preparation is what gives you the confidence you need to get the most out of every customer conversation and photo shoot that you do.

You have to give yourself permission as a new-to-the-fold professional photographer to not know everything. Nobody knows everything about this business, and even what's highly successful for one photographer in one market may be a complete dud for someone else, somewhere else.

Once you relax and admit to yourself that you're not going to know it all from the start, you can focus on real preparation and applying your best at your business. If you're even striving to improve and do a little better each day, practicing the Japanese philosophy of kaizen, then you are far surpassing the efforts of grognard photographers who have long become lazy, stagnant, and bored with their own work.

Wherever you are, whatever gear you have, whatever amount of experience or talent you have or have not, book that first shoot - or your second, or your third. Keep moving forward, maintain momentum, and with every shoot, step up to your client with the confidence that you're going to do the best work you know how, and that you'll only get better every time. You don't have to be perfect, and you don't want to be; questing for perfection is the absolute best way to kill your momentum.

As always, talent takes time, but creating a great experience for your clients is something anyone can do at any time.

"Work honestly and build, build, build. That's all I can tell you."
- J.R. Simplot, potato magnate

This is the core idea of just about everything I try to share here on PartTimePhoto.com. Be transparent, be honest, keep things simple for your clients, make it easy for them to book and shoot and spend their money with you.

And with each client, maintain a fluid circuit of learning, practicing, marketing, shooting, selling, and serving.

The greatest fact of being a green part time professional photographer is that you have nowhere to go but up. From the day you make the decision to do what you love and make honest money doing it, you will only get better: you will only learn new skills, grow as an artist, mature as a businessperson, earn more income, invest in better gear, expand your client base, build an ever-growing foundation of adoring repeat clients and super fans, and grow both your bank account and social circle.

Part time photography is a wonderful choice of profession, and like any other, it takes work to make progress. But it's the kind of work you can love doing while building a successful business that benefits your community as much as you and your family.

"Love the janitor."
- Jack Welch, former CEO, GE

While it's always most effective to focus your marketing efforts on your target audience, never forget that everybody is somebody's brother, son, daughter, mother, friend, etc. Your best marketing isn't intended necessarily to draw an immediate response from the first person it touches, but to make your services 'top of mind' for an ever-growing audience of influencers They'll remember your name when a friend or family member needs what you can provide.

And the 'janitor' mantra is no joke - I did some gratis boudoir photography for an old high school friend last year, and though their shoot was for fun, they have since referred several clients my way - boudoir photos, family photos, and even a wedding.

When the opportunity presents itself to be awesome to someone who probably doesn't see a lot of "awesome" in their lives, take it and be both blessed and a blessing.

"If you haven't got a hernia yet, you ain't pulling your share."
- George Steinbrenner, owner, New York Yankees

Notice a theme here?

If you want to succeed, do the work. Learn, practice, act, get paid, get better. Sow, reap.

This is as applicable to you and I as to the most successful business magnates of our time.

"It's fair for people to question how much a CEO is making. But they should question the companies that fail. In the companies that have a great management team, they should understand that it's important to compensate great executives."
- Sumner Redstone, former CEO, Viacom

Don't let this advice slip by you: you are an executive in your own business, the CEO, even if you're a business of one. And one of the fastest ways to burn out as a part time photographer is to not pay yourself well.

With a business you love, it is far too easy to reinvest and reinvest all of your photography income back into the business, while never keeping any for yourself, or worse, not realizing that you're also spending money out of pocket to grow the business.

Not that this is necessarily a problem. If a purchase you make as a business owner gives you as much personal satisfaction and enjoyment as though you had bought it for personal use, then the value is the same. Even though I may suggest that you keep your salary separate from the rest of your business expenses and investments, I'll always advise that it's your business and your money - if you want to do something, don't let anyone tell you you can't.

It may be hard to believe in these early stages when passion and motivation run high, but you may one day want to move on to another adventure other than professional photography. Don't invest so much of your personal and business income that you have no nest egg to fund your next big adventure.

Pay yourself first.

"I was walking down Fifth Avenue with Marla Maples in 1991. This was at the peak of the bad market. Across the street I saw a man in front of Tiffany with a tin cup. I looked at Marla and said, 'You know, right now that man is worth $900 million more than I am.'"
- Donald Trump, CEO, Trump Organization

Donald Trump knows how to make a buck or two - and he knows how to lose'em just as fast. But Trump also knows that the ups and downs of life and business make for hella good stories, and stories are worth far more in social capital than money.

Two takeaways here:

When you look with envious eyes at other, 'more' successful, 'more' popular, 'more' wealthy, 'more' talented professional photographers, what you assume may not be the reality those photographers live with. There are plenty of photographers who look like big shots but barely make $10 an hour - if that. All revenue and no profit. You don't know their expenses, their overhead, their challenges, or their bottom line. They may have a big retail studio and beautiful marketing pieces, but if they're in debt up to their eyeballs and are only working each day to pay off credit card bills, they're nowhere near as well off professionally or personally as you are with your point and shoot camera and VistaPrint business cards. Stay frugal, stay debt-free, earn your upgrades.

Also, the best part of failure - disappointing a client, not landing a customer you worked hard to get in the door, getting zero return from a marketing investment - is the lesson you learn, and the story you now have to tell. Lick your wounds, but explore what went wrong, and adjust your decision making in the future so history doesn't repeat itself. What you learn is worth far more in the long run than what you lose in the here and now.

"When you're eighty years old and looking back on your life, you want to have minimized the number of regrets you have. That's what should drive people. Not how much money they have."
- Jeff Bezos, founder and CEO, Amazon.com

My senior year of high school, as the 'nice guy' in class, I was assigned to be both buddy and guide to the new German foreign exchange student. Over the course of the school year, he and I became best friends, and to this day he's still the European brother I never had.

At one particular basketball game, he was scoping out the most fly cheerleader on the varsity squad, and dying to go talk to her. About five-eleven, lithe, blonde, one of those Hicks girls with the big doe eyes that made all the varsity football players swoon.

In that moment, I coined the best piece of advice I have ever given in my life, something that has since changed both our lives for the better:

"Make memories, not excuses."
- James Taylor, owner/author, PartTimePhoto.com

(Or as Tim Riggins on Friday Night Lights would simplify, "No regrets.")

Now I don't pretend to place myself among the magnates and gurus quoted throughout this article, but this mantra has informed every decision I've made since the words passed my lips those many years ago. I hope it can bring you as much fulfillment in your life as it has in mine.

(Aside: My brother Andreas did talk to that cheerleader, and although they never dated, they became great friends. She went on to become a Seventeen Magazine model and they still keep in touch. Not shabby company to keep, and all it took was the decision to swing - hit or miss.)

Next Steps

  • Pay a visit to the Esquire slideshow mentioned above and take in both the wisdom in the words and character in the faces of the business barons quoted above. There's plenty more wisdom to glean from these good ol' boys. Also visit their What I've Learned archives for more wisdom from the rich and famous.
  • Pick a magazine - any magazine on any industry, but I'm partial to Fast Company, Inc., Entrepreneur, and Esquire - get a subscription, and take the time each month to flip through its pages. For the dollar a month or less these publications cost, you'll get far more than your money's worth in new ideas. If you study the advertising pages alone for ideas how to market your own business, you'll walk away from each issue with at least one great idea to apply to your own business. Don't discount the value of print publications just because of the variety and breadth of online sites like this one - it's good to stretch your legs, and your horizons.
  • For bonus points, hit the local coffee shop with your magazine, a notepad, and your camera. Spread them out on the table and start idea hunting and taking notes. Be on the lookout for interesting folks to strike up conversations with, but if nothing else, F8 and Be There. Just being seen out in your community with your camera can make a difference in building your brand.
  • Brainstorm session: Think back to kindergarten and all the simple, obvious, but so often overlooked things you learned there. What are the simplest but most important things you learned? How can you apply these nuggets of life wisdom to your business practices? How can you make your business as simple and easy for your clients as kindergarten rules? Not condescending, but concise, and clear. File this in your Brainstorms folder.
  • My writing at PartTimePhoto.com exists to serve your needs as an amateur photographer making the transition to paid professional. I appreciate and welcome your readership, and invite you to click the free “Subscribe” link at the top of any page of this site.
  • What's the best advice you've been given - or biggest lesson you've learned - in your adventure as a professional photographer? Leave a comment below, e-mail me, or call or text me at 830-688-1564.