The power of taking more photos
In the world of sales, there is a classic truism:
"If you want to make more money, make more sales calls."
Once you've got your prospect list and lead generation down pat, the only thing left to do is Make The Ask.
The more you ask, the better you get at it - the more comfortable, confident, articulate, and effective you get at asking for someone's business.
There are reasonable limits, a point of burnout and diminishing returns, but you can figure the guy or gal who's trying a little harder than everyone else is going to grow faster - in their role and in their wallet.
This is true also for your photography business - if you're just sitting around waiting for the tour bus to show up with a year's clientele onboard, that bus ain't gonna come.
But today let's translate this concept into your art.
"If you want to make more money, make more photos."
I can almost guarantee you aren't taking enough photos.
(If you felt your gut tighten a bit, you know I'm right.)
Deeper, I'd bet a dollar to a donut that you're not shooting enough photos of your ideal clients.
"Well derp James, if I were booked solid with my ideal clients, I'd be too busy counting my money to read your blog!"
I'm not talking here just about paid shoots.
The typical startup photographer is closer to doing one photo shoot or less each month, paid or free.
That's not enough.
Unless that's your vision of success (which I fully support), that's just not enough.
If your goal is to be booked 52 weeks out of the year, you need to be shooting 52 weeks out of the year, whether you're getting paid or not.
Especially early on as a startup, you need momentum. You need a habit of booking and shooting. You need to grow and improve your portfolio. You need referrals, examples, experience.
Pick a regular day of the week, and do whatever it takes to be booked that day, every week, week in and week out.
If your schedule is too wild to lock down a steady day each week, get on your calendar and start marking what days you have available, on every week, and make sure you're booked for those dates.
Paid or not.
You will grow vastly more as an artist and business owner by booking and shooting 52 shoots in 52 weeks than 12 shoots in 52 weeks.
I'm not talking about money.
I'm talking about growth.
The PTP shooting 52 weeks out of the year versus the PTP shooting 12 weeks out of the year, paid or not:
- Is going to be over four times more experienced;
- Will have four times as many testimonials, references and referrals;
- Will have four times as much art to build their portfolio and marketing pieces from;
- Is going to be exposed to four times as many unexpected opportunities;
- Is going to have found and tested four times as many locations;
- Will be seen four times as much out shooting in the community;
- Will have learned, practiced, tested and experimented with four times as many techniques;
- Will be four times more comfortable and confident behind the camera.
The list goes on.
And I would submit that 52-week shooter will be four years ahead of the 12-week shooter sitting at their computer wondering why their business is growing so slowly.
The grognards will hoot and holler, saying every time you do a free shoot you're ruining the value of your art and putting a dent in the portraiture industry.
I disagree.
Especially in the startup phase when you're just getting off the ground, earning those first paying clients and getting your name out there as a professional photographer, you need traction - this is when you need the greatest acceleration in your artistic and business growth.
That artistic growth is going to come from purposeful learning and practice.
That business growth is going to come from getting your art in front of your target market.
Multiply those gains by keeping yourself booked solid.
If you're two to four weeks out from a shooting day and you don't have a paying client booked, it's time to hustle:
- Hold a contest (via a coop partner business, via your e-mail list or social) - give away a photo shoot for your open date. Leverage contest entries as a way to grow your e-mail list, get more fans on social, collect testimonials from existing clients, have clients give you introductions to referrals, have fans share your contest and/or favorite photos on social. You can get a lot of value out of that giveaway photo shoot.
- Be on the lookout for someone you want to photograph. Not just a pretty face, but someone interesting who fits your target market. Have business cards ready; approach that person, introduce yourself, and let them know you have an opening in your schedule and that you'd like to add them to your portfolio. If they decline, ask if they know anyone who might enjoy a free photo shoot on that date. Get the referral, and contact that person - remember: folks in your target market are friends with folks in your target market.
- Approach your church or favorite local charity - there are so many ways to leverage those relationships: offer to freshen the professional headshots of the board members; ask who their best volunteer is, and offer to gift that volunteer with a photo shoot on behalf of the board; do the same for the entity's largest donor; offer to do a fundraiser mini-shoot on your open date, have the church or charity do the selling for you within their networks; ask if they'd like to set up a photo story shoot to tell about who they benefit, and how; animal shelters love having professional pet portraits to help with adoptions; if there's a fundraiser raffle or silent auction coming up, donate your open shoot date. Understand their needs and see how you can keep yourself booked solid while helping others and getting face time with great potential clients.
- Book with someone you know is a good sport, especially a thespian or performer, and make that shoot 100% experimentation - you're not allowed to take a single photo you've taken before or normally would fall back on during a shoot. Fill your binder with ideas and tutorials and guides to make specific shots, and go hog wild on this shoot. You'll get a lot more misses than hits, but these shoots are a boon for your artistic breadth. If you find some experimental shots that really intrigue you to start using with clients, set up a shoot on your next open date to do nothing but experiment with that one shot, a full hour of really drilling down the best places, times, lighting, subjects, posing, settings, wardrobe, backgrounds to make that specific image the best it can be.
- Get with your local newspaper or magazine editor and see who in your community they would like to see a photo story on. Coordinate with that person for your open shooting date, and spend some time with them telling their story through photos. Or just ask your friendly editor if there's anything going on that day that you could shoot for the paper (and there's always something going on).
- Go back to basics. Pull out your Photography 101 book and go lesson by lesson through its pages - but with a live subject. Whether you're tasked with shooting landscape or macro, for color or for pattern, using framing or the rule of thirds, studying texture or orientation, zooming with your lens or your feet, trying new apertures or shutter speeds - do it live, with a live subject. Consider each task a challenge to incorporate your subject into the practice work; give your creative side a challenge, a puzzle to piece together.
- Recreate a favored children's story in photos. Plan wardrobe, location, 'scenes', etc. If you do nothing but work with one little boy or girl and their stuffed animals, you'll get a fantastical photo story piece to add to your portfolio and share on social. Be childlike in your imagination.
- Spend an hour with a child in their room. Set up where you can get great windowlight shots, and let that kid show you their toys, their dreams, their drawings, their personalities.
- Practice your street photography. If you're too nervous to do this in your own town, go to a neighboring town. Find interesting people on the street, photograph them, talk to them, learn their stories - you'll never want for great content to share on social and your blog. Street photography teaches invaluable lessons to the PTP - approachability, escaping your comfort zone, establishing quick rapport, sharing your elevator speech, handling rejection, and most importantly, Making The Ask. (None beat Humans of New York in this niche)
- Pinterest. That's all I have to say. If you can't find an hour or two of fun photo ideas from every visit to Pinterest, your imagination needs a shot in the arse.
- Don't limit yourself to the same people you've shot for free over and over again. Always be looking to expand your network.
The options are endless. So are the benefits.
Maximize those benefits by asking every subject for a referral, a testimonial, a model release, an introduction, a Like on social, a Share on social, a five-star review online, an e-mail address.
Paid or not, get yourself booked solid, and don't be afraid of reaching out to new people and trying new ideas. Have fun. Challenge yourself artistically and socially.
However much you're shooting right now, it's probably not enough - at least not what it could be if you were taking your dream seriously and investing into your art and business what you want to get out of it.
Next Steps
- Do it: lock down one day a week, same date and time each week if possible (I like an hour-and-a-half before sunset for location work), and make 52 shoots happen this year. As you grow as an artist and marketer, the paid shoots will come - the goal of course is to get you booked solid shooting paying clients you love. But until that time, hustle.
- Brainstorm session: get out your pen and paper. Come up with 52 fun, free, challenging photo shoot ideas you can execute. Little Red Riding Hood photo story? Headshots for a fellow local business owner? A shoot where the subject is upside down in every image? Why the hell not? After you've made your master list, flesh out each idea: Where? Who? What do you need? When best during the day or year? File this away in your Brainstorms folder.
- My writing at PartTimePhoto.com exists to serve your needs as an amateur photographer making the transition to paid professional. I appreciate and welcome your readership, and invite you to subscribe to my e-mail newsletter at the top of any page of this site.
- What's the biggest struggle holding you back right now? E-mail me your answer (yes, right now!), and let's make a breakthrough today.
- If anything in this post has spoken to and inspired you, please comment below, drop me an e-mail, or call or text me at 830-688-1564 and let me know. I'd love to hear how you use these ideas to better your part time photography business!
How do people know you're a professional photographer?
"In the morning sow thy seed, and in the evening withhold not thine hand: for thou knowest not whether shall prosper, either this or that, or whether they both shall be alike good." Ecclesiastes 11:6, The King James Bible
"Er'ry day I'm hust-a-lin'" - Rick Ross
If you're not getting any business, it may well be because nobody knows you're a photographer.
[Geez, it's the little things that get us sometimes, right?]
Okay, your mom knows, a few Facebook friends have seen your announcement about going pro, but shaking hands with someone at the PTO meeting, or stepping past someone on the sidewalk - how do they know you're a professional photographer?
We all fall into the passive marketing trap: "I'm just going to quietly hang my shingle over here and see who wants to book."
We feel safer this way, as though each booking is a pleasant surprise.
But with the competition the digital age has brought, getting those first (and continuing) paid shoots is a hustler's game.
You're gonna have to work for it.
Let me focus here on just the "How would they know?" question.
When it comes to marketing, you never know what will work at all, much less work best (if you did, you'd be busy counting your money instead of reading this) - you truly never know which seeds will grow.
I'm a fan of planting lots and lots of seeds.
When someone calls or e-mails to book, you want them to say, "I see you everywhere!"
Not you personally (though there's some of that)...
Your art. Your name. Your business. Your brand.
When people see you on the street, how do they know you're a professional photographer?
Does your clothing tell them? Do you have an embroidered shirt or hat? A nice magnetic name tag? A lanyard with your business card, photographer credentials, or press pass (from your freelance work for the local paper)?
Are you carrying your camera? Not your smartphone, not your point and shoot - I mean the big one that says, "I'm serious about my art." (if you're still sporting the P&S or even smartphone camera, no disrespect - you know I believe like Chase Jarvis the best camera is the one you have with you - if you're sans-dSLR, work what'cha got; be seen taking interesting photos, no matter what you use to capture them)
Are you being seen taking photos? Have you considered incorporating a high-traffic location into your free / portfolio-building shoots so you can be seen shooting in public? What about doing a shoot in a high-traffic area just so you can be seen? A weekly shoot at the same public location (a friendly cafe, a scenic downtown sidewalk), same time, every week?
How about a custom-printed camera strap? Or strap cover? With your business name, or your web portfolio address (especially if it's the same as your business name!).
Do you have an elevator pitch? A tagline? A short and intriguing, 30-second introduction to your photography business and how you differentiate from everyone else? When you meet someone, do you share this with them? Do you tell people you're a professional photographer? I tell folks, "By day I'm a journalist, but by 5 o'clock I'm a senior portrait photographer." Then I can expand: "I love the energy, excitement, and bold personalities of seniors. I'm just a big kid, and I love getting to be creative in making photos the seniors and their parents can enjoy forever." It doesn't even have to be a great shpeel - but know your honest talking points ahead of time.
How do you feel about your business cards? If you're not excited to hand them out, go back to the drawing board - or better yet, hire a designer (through Fiverr, through 99designs, trade-out with a designer friend, by whatever means you can) and let them do the design work for you. Put those business cards everywhere. Those It Works! reps we all know and love from Facebook? They're masters of putting their business cards on every bulletin board and counter top in the county.
Where do your people shop? Where do they get their hair done? Where do they take their kids for play dates? Where do they stop for coffee? Are you there? Are you shopping, eating, drinking, and frequenting the places your target market does? Whether you do or don't, do you have a flyer there? A partnership? A display? Portraits hanging on the walls? If you're a children's photographer, does your local pediatrician have your portraits of his patients hanging on the walls of his waiting rooms and exam rooms?
Are you a sponsor of the events your people attend? Are you a volunteer with the charities your people support? If you're a senior photographer, are you the official photographer for the prom fashion show fundraiser? Are you on the after-graduation church lock-in party committee? If you're a pet photographer, are you a volunteer with the local welfare society? Are you showing your alignment with your clients' interests and values?
Do you donate gift certificates to the silent auction fundraisers supporting the organizations that are important to your people? Are you a Friend of those organizations online? Do you sit on their boards or committees? Do you Share their important posts, and help get the word out? Do you offer your unique talents as an artist, designer, or marketer to support their campaigns?
Are your photos appearing in the newspaper from the events important to your clients? Have you contacted the newspaper to offer your services in covering those events in exchange for a byline? Maybe even, eventually, for advertising credit? Explore the same opportunities with your nearest metro or regional magazine. If you're located in a large metro area, is there a nearby county or town with a small newspaper that would be excited to work with you?
The same with your local radio station - have you offered your services (typically personality headshots and event coverage) to them in exchange for a shout-out on air, and on their website and social media channels?
Do you have any local bloggers who serve your market? Can you write a guest post with photo or produce a photo story on their topic? Trade out headshots for a mention? Check around in your local artsy and craftsy circles for great artist bloggers to do cooperative work with.
Your local chamber of commerce, convention and visitors bureau, business association, historical commission, and event planners are always looking for great promotional photos for their marketing materials and web sites. Focus here on producing art for their local materials, such as the tent cards that go up on restaurant tables a month before a big event - and asking openly for referrals (most chambers of commerce are just referral businesses anyway).
This is just a spotlight on a few ways you can F8 and Be There in your community; to be where your people are. I'm sure you have an explosion of your own ideas right now.
Brainstorm, make a big list, and make it happen. Don't by shy; don't hide the fact that you're a working, professional photographer.
Put it on your calendar as part of your quarterly, monthly, even weekly review: proactively and consciously answer the question, "How would they know I'm a professional photographer?"
Next Steps
- Start with the tips above, and make your own list of ways you can F8 and Be There for your clients. Today, how would people you meet or see on the street know you're a professional photographer? What are the times or places they should know, but don't, because you aren't prepared - or don't yet have a way to tell them? As always, start with the low-hanging fruit (shooting in public, a magnetic name tag or lanyard with photo / press card, knowing your tagline and elevator pitch) and work your way through your list.
- Brainstorm session: get out your pen and paper. Are there any businesses or business people in your market whom you see "everywhere"? What can you learn from their example? Who do you believe are the best marketers in your community (as a business or individual)? What are they doing that you're not (yet) to earn that position in your mind? Now let's pretend: if you were that good of a marketer, the best marketer in your community, what would you do? How would you be marketing your business? What creative, fun ideas would you come up with? Often just disconnecting your Self from the equation frees up the creative juices. File this away in your Brainstorms folder.
- Those 'best marketers in the community' you just identified? Get on the horn and ask each one to a lunch or coffee. Learn from their success (and they'll surely talk about the failures in their journey), and skip the learning curve.
- My writing at PartTimePhoto.com exists to serve your needs as an amateur photographer making the transition to paid professional. I appreciate and welcome your readership, and invite you to subscribe to my e-mail newsletter at the top of any page of this site.
- What's the biggest struggle holding you back right now? E-mail me your answer (yes, right now!), and let's make a breakthrough today.
- If anything in this post has spoken to and inspired you, please comment below, drop me an e-mail, or call or text me at 830-688-1564 and let me know. I'd love to hear how you use these ideas to better your part time photography business!
The two biggest fears of artists-turned-owners
Two of the biggest fears we artists-turned-owners have about 'going pro' are:
1. Selling ourselves
2. Selling our art
The positive attention and encouragement we receive as enthusiastic amateurs can give us a false impression that we don't have to 'work' to earn business - that we can just exist, just hang our shingle, publish our work to our portfolio site and Facebook, and paying clients will beat a path to our door.
Typically introverts, folks like you and me are fueled from within instead of without. Shy or not, social situations deplete us more than they energize us, and our alone time is where we regroup and recharge.
We're also humble creatures. We're quiet, unassuming, and while we don't brag, we enjoy positive attention as much as anyone.
So the prospect of marketing and selling - getting our art, name, and message in front of our ideal clients - sends a lump straight to our throats.
The only thing most human beings fear more than death is public speaking, and both marketing and selling feel like close siblings to this boogeyman.
So what's an introvert to do?
There are always going to be "best practices."
But so many of those best practices are hand-built by and for extroverts. A quick flip through most Marketing 101-type books shows as much (and can set an introvert to reckless perspiring).
I'll always encourage you to step outside your comfort zone to test the waters on good ideas and practices - you never know when what's holding you back is a true aversion, or just an unnamed and unfounded fear that can be overcome with doing.
We'd all love to have business fall in our lap.
But we can't just wait for our clients to find us.
The secret sauce for you will be finding the most effective and efficient methods of marketing and selling that get (and keep) you booked solid, maximizing both your enjoyment and profit for the time you invest in your business.
The advantage obviously goes to the extroverts, folks energized by the attention of others.
As I've written, attention is fantastic for business, so long as it leads to paid work.
Three important things:
- Accept that the fastest ways to get booked solid are extroverted practices;
- Accept that the maximum profits per client are going to come with extroverted sales practices;
- And accept that your "best practices" as an introvert aren't going to look like their best practices.
You need to write your own playbook.
And you know what?
That's okay.
Don't buy into the cult of maximum productivity and maximum efficiency.
Don't worship profits at all costs.
The boutique photographers turned business gurus are some of the worst about selling you their $500 playbook without knowing anything about you or what kind of player you are.
Let's be real: you don't have to do this.
You chose photography.
You chose to go pro.
You're doing all of this because you want to.
You never have to incorporate practices into your business that make you hate being a professional photographer.
Stretch yourself, test yourself, challenge yourself, but never forget that you are in ultimate control.
As always, you define your success - nobody else.
What then are your blood, sweat, and tears worth if you build a business that brings you no joy? That, in fact, saps your energy, creativity, and happiness?
You face two great tragedies: succeeding in building a business you hate, and failing to try at all.
There's a huge range of opportunity between these poles: plenty of room to study, practice, learn, test, fail, adjust, experiment, succeed, do better, do worse, and every moment, take another step closer to building a business you enjoy - even love.
I can't imagine the last 15 years of my life without Outlaw Photography; all of the friends I'd have never met, art I'd have never made, money I'd have never been paid with which to bless my family, the stories I'd have never earned for the telling, the blog I'd have never written (howdy y'all!)...
The blessings have been countless.
If I had never pushed myself outside my introvert comfort zone, I'd have never plumbed the depths of my talents as a marketer or salesman; I'd have never tried new things, broken new ground within myself, and discovered where my honest personal limits lie.
If I had forced myself to continue with "best practices" which made me miserable, that despite facing my fears continued to create more stress than success for me, I'd have burned out. There would be no Outlaw Photography to serve my clients or enable life experiences for my family we couldn't otherwise afford.
I found my balance.
Not by luck, but by consistently trying new things, testing myself and adjusting course by what new things I learned - about photography, business, and myself - along the journey.
Give yourself the opportunity to succeed.
To do what you think you can't.
To realize you're capable - and maybe even enjoy - things you didn't think you could do.
And to have tested and consciously chosen not to adopt the "best practices" which leave you burned out and depleted.
I could have made more money.
I could have booked more shoots.
I could have done a lot of things that would make my business more successful on paper.
But I'm thankful I didn't.
I am thankful for the strength to challenge myself and the wisdom to discern which of the countless branching paths to success best balanced risk and reward - choices unique to my personality, my experiences, my strengths and weaknesses.
Let me assure you, it was a messy, disjointed, graceless, downright butt-ugly adventure. Lord of the Rings, it was not. I'd have never found my personal success without many trials and errors.
The indefatigable villain named Resistance fought like hell on every battleground to deter me from my victories.
But I persisted.
And I am so, so glad that I did.
Don't give up, fellow introvert.
Marketing and sales aren't as bad as the boogeyman in your head has made them out to be.
You will find what works best for you, your own best practices, and you'll learn to thrive just like I have, just like countless other artists who were able to reach just far enough outside their comfort zones to grasp success.
Remember the “self” in self-promotion is you, and guess what? You are in charge of you! Introvert or not, you make the calls on what fits and what doesn’t. So do things in the unique way that works for you." - Paul Jarvis, Effective Marketing For Introverts
Next Steps
- Let's make some lists! List 1: Let's say you are absolutely not allowed to do any marketing or sales that you don't know for sure, right this moment, you would enjoy. How would you market yourself? How would you get your art and message in front of your target market? List every venue, physical and digital, every opportunity, every method you can think of to make the connection between what you have to offer and Your People.
- List 2: Now, make a list of every marketing idea and effort you can think of that isn't on List 1; all of the extrovert stuff, the public speaking, the cold calls, the in-person introductions and Asks, the direct approach, the collaborative work, the PR / press opportunities, absolutely anything and everything you can think of that would get your art and message in front of your target market that isn't on List 1.
- List 3: Pick three marketing ideas from List 2 that you believe wouldn't kill you, but would help you get more attention and bookings. Three things you think you can do, but don't think you would enjoy. Let's just say, for funsies, that you were going to do those three things. What are the all the baby steps involved? If you were really going to do them, outline the effort - what would be involved? What would it look like? What are the steps? What does that path look like?
- You knew this was coming: Pick the idea from List 3 that you feel you're most likely to really do, and... Just Do It! Let go of the results. Focus on process. Disconnect from identifying with the success or failure of your efforts. Just...do. This is how you test yourself: look outside your comfort zone for an opportunity you would not naturally gravitate toward, make a map of the journey, and then adventure! No matter what happens, you will have grown - you'll have studied, learned, practiced, and grown as a marketer and business owner. Repeat this process as often as you can to really feel out the risks which lead to the best rewards.
- Brainstorm session: Get out your pen and paper. If you weren't the one responsible for taking action on your marketing ideas - let's say you were given a nice grant to hire a master marketer to enact your dream marketing plan - what ideas would be your favorite? What would your marketing plan look like? What are the ideas that excite you about how they present your art and business to your community? Let your imagination run wild, free of the fear of having responsibility to act on anything you write down here. Later, mine this list of ideas for things you can slip onto List 2...and maybe List 3.
- My writing at PartTimePhoto.com exists to serve your needs as an amateur photographer making the transition to paid professional. I appreciate and welcome your readership, and invite you to subscribe to my e-mail newsletter at the top of any page of this site.
- What's the biggest struggle holding you back right now? E-mail me your answer (yes, right now!), and let's make a breakthrough today.
- If anything in this post has spoken to and inspired you, please comment below, drop me an e-mail, or call or text me at 830-688-1564 and let me know. I'd love to hear how you use these ideas to better your part time photography business!
Are you an artist or an attention whore?
Ouch.
Okay, normally I'm not so hard on you guys.
But I've got to give you some tough love for a minute - it's for your own good.
Some of you don't want to be professional photographers.
You're reading PTP, you're taking some photos, you're dreaming of the camera gear you want to have and the professional image and recognition that comes with owning your own creative business.
But...why?
If you're stagnant - if you're procrastinating on launching, or finalizing your pricing, or perfecting every pixel of your web site instead of hustling paid photo shoots...you have to ask yourself an important question:
"Am I an artist or an attention whore?"
Do you want to hustle? Do you want to market yourself in your community? Do you want to learn to sell so well that you're able to perfectly match a client to a product offering, and maximize your profits in the process? Do you have a heart of service for your clients? Do you want to fail forward and fail faster? Do you want work as much on your business and marketing as on your art?
Or do you just want attention?
Hey, it's human nature - we all want to be liked, to be popular, and especially as artists, to be recognized for the work we do. We all love the Likes, the kind words, the glowing testimonials.
But, if you feel stuck in first gear with your business, is it because you don't really want to own and run a business? Do you just want the attention of a professional photographer?
Let me be first to raise my hand: I went through a years-long phase of shooting for attention and the social high, benefiting neither my business nor my bank account. I can't tell you how many hours I poured into shooting local sports, into six-hour 'fashion' photo shoots, getting attention for attention's sake.
My MySpace friends list was full, but my bank account was empty.
There's nothing wrong with creating art for fun, creative expression, or even out-and-out attention.
Attention is fantastic for business...
...when it's leveraged into paid work.
If you're ready to be a paid professional, to grow your business into a blessing for your community and your finances, you have to transmute attention into business.
This is marketing alchemy.
This is what separates paid professionals from looky-loos.
If you're just in this for attention - you're in no rush to get paid, you 'just want to make enough to pay for the hobby,' you spend more time on Facebook than creating art, you've been 'building your portfolio' with free shoots for years, you've read 13 blogs and books and magazines this week on photography and camera gear and not one on small business or marketing, you're talking about becoming a professional photographer but taking no steps and making no tangible progress...
It's okay.
No judgment here.
You don't have to change anything you're doing. I'm truly not trying to make you feel bad, or call you out in a bad way.
Your photography, your business, and everything you do within it, and every reason you do it, is yours to manage and enjoy; never forget, you do this because you want to, and you're always in charge.
But I don't think you're here because you just want attention.
If you're elbows deep in PTP, if you're reading these words, you're more than ready for more than just transient attention.
You're ready to take bold steps.
You're ready to finalize that price list, settle on a name for your business, and land your first paid clients.
You're ready to step up, take risks, fail forward, focus, to take action and not just read and dream.
You're ready to check off that to-do list.
You're ready to take action, to put yourself out there, even if you do it wrong - to take imperfect action.
You're ready to disappoint a client, kick yourself in the ass, learn, then get over it and move on.
You're ready to make mistakes - and learn from them.
You're ready to schedule the time every day, every week, to make your dream of being a professional photographer a reality - baby steps.
You're ready to put a stake in the ground, finalize the 'details' of your business, and start doing business instead of just (over)preparing for it.
You're ready to leverage every ounce of attention you get with your art into testimonials, referrals, marketing mojo, repeat clientele: money in the bank.
You're ready.
You're here. Right now. You're ready.
You are not an attention whore. You may have been acting like one for too long, but we're on the march now; we're professionals, and we're done with the procrastination horsesh*t that has turned our blazing passion and limitless potential into a slog through deep mud.
I had to learn to do this with my photojournalism for the local paper.
Instead of just soaking up the attention of a great front page photo from under the Friday Night Lights, I learned to make the ask: when complimented on my work, I'd steer the conversation to my professional services, and seek out the needs of my potential client then and there.
I'd make the ask; I'd ask for their business in that very moment.
And I got it almost every single time.
Leverage.
I learned to do this with my fashion work. Few styles get as much attention from the hip, artistic, and young (read: lucrative high school seniors), as fashion photography. Every Facebook Like and comment becomes an opportunity to make the ask and land a new client.
Attention is a good thing.
Even more so, in my book (and I believe in yours too), when that attention is alchemically transformed into hundred dollar bills.
When I pose the question, "Do you really want to be a professional photographer?", it's okay if you don't truly know - if you're not blazingly sure you're up for all this.
But I implore you:
Try.
If you've come this far, if you have the spark of a professional artist within you, I can't encourage you enough to try. Make a go of it. Give it all you've got.
If down the road you're unhappy, if you're burning out because you can't find a way to enjoyably balance your art with business, then stop.
I'll say again: your business is by you and for you. Verily, you're a blessing to your community and clients in the art you create for them, but you're the boss - you never have to do anything you don't want to.
You can always go back to creating art for the pure enjoyment of it.
You can always go back to just shooting, processing, and posting for attention; for funsies.
But I believe you've got a lot more in you, and that's why you're here.
Dive head-first outside of your comfort zone. Learn who you are, and what you're capable of. Challenge yourself. Strive. Persevere. Dream, and Do.
Start where you are
I love being a professional photographer.
I love the creativity, the wonderful clients who become lifelong friends, I love volunteering and serving my community, and I love that the money I earn with my art blesses my family with comforts and life experiences we couldn't otherwise afford.
An inherent interest in the business, marketing, and sales of professional photography is in no way a prerequisite to success.
Start where you are.
There is no right way, no perfect course of action; hell, even the 'best practices' aren't surefire keys to success.
Success is a process - it's trying new things, guided by the knowledge you gain from books and blogs and fellow photographers, and failure is a big part of that process. You have to fail forward, make mistakes, even embarrass yourself a few times.
But that's what professional success looks like. It looks like perseverance, tenacity, hunger, focus, failure, practice, learning, attention, leverage, humility, and courage.
Where you are today is not where you will be tomorrow. The world is turning, whether you choose to make your move or not. If you're not taking action, even just baby steps, the world - and your dream - is passing you by.
You're here, you're breathing, and you have a camera in your hand.
That's called opportunity.
Now: Try.
Next Steps
- Get unstuck. Right now. I know there's at least one, two, a few things burning in your mind right now, ways you know you're procrastinating because you've been satisfied with attention and dreaming instead of taking bold steps to be the professional you dream of. What decisions do you need to make? What stake can you drive in the ground right now in making your business real? What brave thing will you do today?
- Brainstorm session: get out your pen and paper. There's a road between where you are this moment and where you need to be to call yourself a professional, to be ready to ask for and land paid work. What does that road look like? What are the baby steps between here and there? Don't worry about what you don't know, no map identifies every pebble or crack in the road. Take the time to lay out every single baby step, every action big or small you can think of that will get you to the point where you'll choose to ask for and earn paid photography work (I word it this way for a reason: you will never be 'ready,' there will never be a 'right' time). Schedule the time, as little as five minutes a day, on your calendar for the coming week to work on these steps. Add them to your to-do list. Then do it, step by step by step, no matter how confused or lost or imperfect you feel about it; keep moving forward. File this away in your Brainstorms folder (and schedule the time on your calendar a month from now to pull this out and check off everything you've accomplished - which if you do the work, I guarantee, you'll be amazed at how far you've come in just 30 days).
- My writing at PartTimePhoto.com exists to serve your needs as an amateur photographer making the transition to paid professional. I appreciate and welcome your readership, and invite you to subscribe to my e-mail newsletter at the top of any page of this site.
- What's the biggest struggle holding you back right now? E-mail me your answer (yes, right now!), and let's make a breakthrough today.
- If anything in this post has spoken to and inspired you, please comment below, drop me an e-mail, or call or text me at 830-688-1564 and let me know. I'd love to hear how you use these ideas to better your part time photography business!
One simple system for success
There is no greater knowledge-for-the-buck value than books.
And there is no more self-destructive thing we do than failing to act on the things we learn.
You and I are going to break that cycle...
Right now.
STEP 1: Go buy a book on small business marketing. Any good one (whether from a list of recommended titles from a mentor, or Amazon's bestseller list, or one of my favorites: Duct Tape Marketing, Duct Tape Sales, Booked Solid, Jab, Jab, Jab, Right Hook).
STEP 2: When that book lands in your Kindle or in your hands, STOP. STOP EVERYTHING. You are about to commit for the umpteeth time a crime against your business and your own success: you're going to start reading, read here and there until you finish the book, then feel wonderfully inspired as you put the book aside and NEVER TAKE ACTION. I've done it hundreds of times over the last 15 years. STOP. Don't read a page of that book until you can sit comfortably, focus, take your time. Make handy a writing surface, something upon which to write, and a good pen or pencil, as well as a highlighter.
STEP 3: Now crack open that book and read every page, one by one, slowly and comfortably. Set your ego and your cynicism and your skepticism aside, and LEARN. Take notes. Every time an idea for your marketing or your business pops into your head, WRITE IT DOWN. Do not turn the page until you are absolutely sure you have captured every possible idea and potential ACTION YOU CAN TAKE from what you've learned within. Write these ideas and actions out in your language, conversationally, just like if you were sharing with a friend over coffee. Don't be technical or get bogged down in minutiae.
STEP 4: At the end of the first chapter, if there are any action items or questions presented to answer, DO IT. These authors are handing you the keys to success from their invaluable experience. USE THEM.
STEP 5: BEFORE you start the next chapter, go over your notes. Where are your action items? What ideas did you discover? Write each one on its own piece of paper. Then brainstorm all of the steps you'll need to take to take that action, to make that idea a reality. WRITE DOWN THE BABY STEPS, one by one. No step is too small, or too insignificant to write down. If you only had five minutes a day to work on this, what steps would you take with that time? You are creating a roadmap to success. Do not start the next chapter until you have taken this step, and...
STEP 6: SCHEDULE YOUR NEXT ACTION. Block off an appointment on your calendar, starting with this evening or tomorrow, to TAKE BABY STEPS, to take action. "I'm too busy! This is happening too fast!" Horsesh*t. FIND FIVE MINUTES. Find fifteen minutes. Book it onto your calendar and you keep that appointment with the same respect and loyalty as you would dinner with your mom, taking grandma to the doctor, or meeting a client for a photo shoot. IT IS THAT IMPORTANT to your success as a part time photographer.
STEP 7: Turn the page. Go back to STEP 3. Repeat for every chapter, every chance you get to read, at least daily, even if just for five minutes, until you complete the book and have a new understanding of marketing, and every bit as important, a stack of action items and ideas you're ACTIVELY BRINGING TO LIFE through daily baby steps.
STEP 8: TAKE IMPERFECT ACTION. Let go of your obsession with controlling the results, and focus on process; be an expert at the attempt. Do The Work. Don't judge, don't wait, don't think about it, don't go make a sandwich, don't check Facebook, don't doubt what you've read, don't wait until you're ready, don't get scared, don't worry about failure or doing it wrong, JUST DO IT.
STEP 9: Watch your business take off like you could never have dreamed.
This is simple.
But it isn't easy, is it?
The wall of resistance gets taller with each step, where you take the leap from student to practitioner: where you begin to turn ideas into actions, then schedule and commit to those actions.
These baby steps move the needle. These are the 'little victories', the kaizen, which will take you from where you don't want to be today, to where you never dreamed you could get.
The excuses are dwindling, my friends. Either you want this, or you don't; either you're willing to take imperfect action and make your dreams come true, or you're window shopping for a life you're not willing to earn.
Next Steps
- Brainstorm session: Write down 10 reasons why you can't do this; why you can't read one book, one page at a time, taking one note at a time, taking at least five minutes of action each day, taking responsibility for the success of your part time photography business. I'm serious: come up with 10 real reasons why you can't, don't, or won't do this. This list is going to be a powerful tool for you to recognize the self-imposed limiting beliefs you have shackled yourself with in your journey toward success. Look over this list. Look hard at it. Get emotional if you need to. Recognize what's holding you back. Recognize how you're hurting yourself. Measure your dreams, your excitement, your inspiration, your enthusiasm against this list. Recognize above all that there is nothing on that list you can't overcome. If you'd like, e-mail me your list; I'd love to talk with you about what's on there. When you're done, file this away in your Brainstorms folder.
- My writing at PartTimePhoto.com exists to serve your needs as an amateur photographer making the transition to paid professional. I appreciate and welcome your readership, and invite you to subscribe to my e-mail newsletter at the top of any page of this site.
- What's the biggest struggle holding you back right now? E-mail me your answer (yes, right now!), and let's make a breakthrough today.
- If anything in this post has spoken to and inspired you, please comment below, drop me an e-mail, or call or text me at 830-688-1564 and let me know. I'd love to hear how you use these ideas to better your part time photography business!
How to price your photography, Part II
If there's one thing we part time photographers never get bored talking about, it's pricing our work.
But I'm going to digress from talking about pricing, because your pricing isn't the problem:
You're trying to scratch your butt by brushing your teeth.
It's been five years since I wrote my (some say controversial) post on What to charge for your part time photography, and you awesome readers have asked me if my advice still stands today.
In the historic words of fellow Bandera Texan and Classic Western actor Rudy Robbins:
It do.
My philosophy on pricing your work is to be humble: recognize the unique value you create, understand that value will grow over time and practice, and look at pricing as more a tool for managing your calendar than your profit margin.
I could introduce a lot of nuance into this conversation, but here are my practices, some simple if-then-else's, boiled down to the bones:
- If you're marketing yourself well (communicating clearly and excitingly the value you create to the potential clients in your market who want and can afford what you offer), but you're not booked solid, your prices are too high.
- If your prices are humble and broadly affordable (such as my 'buy what you love' suggested pricing), but you're not booked solid, you're not marketing yourself well (either with the wrong message, or to the wrong people, or both).
- If you're booked solid, your prices are too low.
- If you're booked close to solid, and you're putting enough cash in your pocket each month or year that it leaves a big ol' grin on your face, your prices are just right, and it's time to invest your efforts in growing as an artist and marketer.
- If you're happy, don't listen to a word I or anyone else says to you: never forget, you're a part time photographer because you choose to be, and you're the boss - this is your business, and you call the shots.
- Now, if you're happy but complacent, if you're happy but not hungry for more, not growing, I would submit that your happiness is going to fade. If you're like most artists, you're going to get bored or burned out - never stop challenging yourself and growing as an artist, marketer, and business owner.
These are some pretty simple formulae to apply to the very complex journey that is being a part time professional photographer.
Simplicity also lets us move on - it allows us to get back to work.
There's a phrase I hear over and over from my peers, and I feel deeply for them when they feel this way:
"My phone isn't ringing. I'm doing everything I'm supposed to: I got my web site set up, I handed out business cards, I posted a great deal on my Facebook page, but nobody's calling. Is my art really that bad?"
I feel you, brothers and sisters.
I believe in art.
I believe in craft, in making, and I believe in its value as a profession and business.
But outside of very special creations and circumstances, your art is not the most influential ingredient to your success.
In fact, when it comes to business success, it may be the least important when compared to your marketing and your business (which includes the experience you create for your clients).
If you're reading this, if you've come this far in your journey into professional photography, your art is almost certainly not what's holding you back from success.
Chain studios and yearbook photographers prove that you can profitably systematize the photography product (the "art") down to as little as five canned poses and pay a bored employee $8 an hour to manage that series of repeatable processes: intake, shooting, selling, up selling. Then an automated computer system will follow-up ad infinitum.
(A high school friend, now a mother of three, told me she once paid over $1,000 for a chain portrait session and walked away with an armload of prints of maybe 10 'classic' poses. She was perfectly happy about this... Until I told her my prices.)
Friends, they're doing business every single day - probably with more clients in a month than you and I shoot in a year.
And their per-client sales are enviable; don't let the $10 portrait package special advertised on the poster fool you. These businesses have a time-tested process for turning a $10 client into $100, $200, or much more. One PTP reader told me she learned more about making a profit as a portrait photographer from her time working for Kiddie Kandids than she did from years of scouring the Internet.
Good art (even great art) does not guarantee bookings.
Nor does a low price guarantee bookings (so many PTP readers get stuck here, failing to practice and grow their marketing skills).
No doubt, the better your art, the easier it is to show the quality and value of what you have to offer your target market. As the wise folks say, nothing kills a bad product like good marketing.
But there's the rub: good marketing.
No doubt, you can run your business into the ground with a bad attitude, with policies that make your clients feel like criminals, by treating your clients as adversaries instead of friends.
But even a bad business can get folks in the door with good marketing. They may only come once, they may tell all their friends what a horrible experience they had with you, but the phone had to ring in the first place to get to that point.
If your phone isn't ringing, I'd bet my beloved 50mm your marketing is weak.
Odds are, it's non-existent - at least when it comes to proactive, purposeful, targeted, well-placed and well-timed marketing with a high-octane message that not just exists, but invites - nay, excites - potential clients to make your phone ring (or e-mail ding, or Facebook swish).
Your attention, and effort, and research, and concern are misplaced.
It's not your pricing.
It's your marketing.
Go find your people.
Show them how you can make their lives better with your art.
Then ask them to do business with you.
Next Steps
- Brainstorm session: Look at your pricing schedule. Write down 10 things you love about this setup. Write down 10 things you hate about this setup. Write 5 things you think your clients love about this setup, and 5 things you think they hate about it. Be creative, think outside your perspective as a business owner. Do you see any opportunities to change things up to better fit you, and better fit your clients? Make those changes right now, then file this away in your Brainstorms folder.
- My writing at PartTimePhoto.com exists to serve your needs as an amateur photographer making the transition to paid professional. I appreciate and welcome your readership, and invite you to subscribe to my e-mail newsletter at the top of any page of this site.
- What's the biggest struggle holding you back right now? E-mail me your answer (yes, right now!), and let's make a breakthrough today.
- If anything in this post has spoken to and inspired you, please comment below, drop me an e-mail, or call or text me at 830-688-1564 and let me know. I'd love to hear how you use these ideas to better your part time photography business!
- Not sure where to start in marketing your part time photography business? You can't beat a good book for bang-for-the-buck. Grab one off your mentor's recommended reading list, from Amazon's Bestseller List, or start with one of my personal favorites: Duct Tape Marketing, Duct Tape Sales, Booked Solid, Jab, Jab, Jab, Right Hook).
Accountability is the plateau killer
Like skydiving and asking a girl to dance, sometimes you have to experience a dreaded act before you realize how awesome it can be.
Accountability has always been that way for me.
I grew up an only child, homeschooled, with one real friend (and a handful of seasonal cousins).
I was a loner by environment, which grew to be my nature. I became extremely self-sufficient, from my education to my life and entertainment.
Unfortunately, I missed those early lessons of teamwork and the power of accountability.
Only in the past six months have I experienced how accountability can move mountains in my life.
My vision of accountability as a tool for reaching goals was of an overzealous (and way too perky) fitness trainer calling me at the butt crack of dawn to yell at me to go run.
Or my mom asking me if my underwear is clean. Every day.
Or some overly helpful friend, in whom I would confide my desire to lose a few pounds, then criticizing my every meal choice and telling me to eat more fiber.
Until I finally experienced it, I never imagined accountability to be such a powerful, completely enjoyable way to turn my dreams into reality.
Where I Found Priceless Accountability
The amazing Steve Arensberg of Free of Gravity, under the umbrella of Scott Dinsmore's tribe, launched in January the San Antonio Live Your Legend group - where folks bootstrapping passion projects gather to exchange updates, ideas, and encouragement.
This group has changed my life.
A lot of this change has been behind the scenes, but in the post you're reading now and beyond, the effects are tangible.
Having a group of passionate, empathetic, encouraging folks with whom I can share my successes and failures has proven to be the greatest catalyst for change in my life since discovering gurus like Michael Hyatt, Jeff Goins, and Tim Ferriss.
From the thought leaders, I'm forever indebted for teaching me what to do and how to do it.
From my fellow Live Your Legend folks, my peers turned friends and accountability partners, I've learned how to get it done.
In sharing my passion project and my goals with these folks, I've had to take my head out of the clouds of concepts and ideas and possibilities, and put my boots on the ground. I've had to take my vision and turn it into an action plan - and take measurable action on it.
Every one of us reports on our plans and progress every meeting. And every one of us is invested in the success of everyone else.
It's easy to disappoint ourselves. Let's be real - we're used to it.
But when you know there are going to be two, four, ten faces looking back at you as you talk about your successes and failures - folks who know your dreams, goals, and what you wanted to accomplish this month - it takes inaction, paralysis, and excuses off the table.
We can reason ourselves into a lifetime of personal disappointment.
It's a lot harder to spin that horsesh*t to a table full of friends who know better.
If you're reading this, it's time to get your dream of being a successful part time professional photographer out of the clouds, off your to-do list and into the real world.
It's time to make tangible progress.
It's time to put one foot in front of the other, even just baby steps.
But where you are a month from now and a year from now has to be measurably far beyond where you are today.
It starts right now.
Commit to your dreams.
Seek out a friend or a peer or a group of good people with whom you can share your dreams, passion and goals (you can find the Live Your Legend groups here, and there are countless artists and small business groups to be found on meetup.com).
Find folks you can get face-to-face with.
As artists, we're often introverts, and it can be sweat-pouringly hard for us to proactively seek out and reach out to others for help - to share our dreams, show our vulnerability and admit our failures.
You will find equal parts relief, excitement, and motivation when you're in a room with folks facing the same fears and challenges you are, discussing what is and isn't working, and sharing your journey with them.
Steve and I sat together over coffee tonight. We enthusiastically spoke of our fears, our dreams, what's holding us back, and why. We parted with a handshake and good hug, new ideas, new inspiration. I pulled my keyboard out of my backpack and started writing this blog post to you.
Accountability is encouragement.
Accountability is motivation.
It's mutual investment.
It's movement.
It's tangible, hands-on, boots on the ground, step-by-step progress.
Accountability is the plateau killer.
I don't know about you, but I'm sick of feeling stuck. I'm sick of sameness. I'm sick of the plateau, the rut, the daily disappointment in myself when I achieve nothing toward my dreams.
Has a day gone by where you haven't taken a photo? How about a week? Month? A season where you didn't really pick up your camera or do anything to get you closer to your dreams?
Life is too short and I am too excited about making my dreams come true, for the benefit of my family, my community, and you awesome readers here at PTP.
In the spirit of podcaster John Lee Dumas, I am truly on fire - everything in my life has led to this day, every hardship and challenge and miracle and blessing has led to the words you're reading this moment.
I am ready to ignite.
Let's do this together.
E-mail me. Tell me what your dream is for your part time photography business, and what's holding you back. I'll do everything I can to help.
That's why I'm here - to encourage, educate, and empower you on your journey from amateur photographer to paid professional. The pleasure, and honor, is mine.
"Your peer group are people with similar dreams, goals and worldviews. They are people who will push you in exchange for being pushed, who will raise the bar and tell you the truth.
Finding a peer group and working with them, intentionally and on a regular schedule, might be the single biggest boost your career can experience."
- Seth Godin
Next Steps
- Find an accountability partner or group. Put their next meeting on your calendar. Clear the time; make it happen. If you hate it, if you puke in the trash can, it's okay - you never have to go again... But that won't happen. You're going to walk in a nervous wreck and walk out shocked at how much complete strangers care about your success.
- While I'd strongly encourage you to establish a local accountability partner or group, if you need an in-between baby step, drop me an e-mail. Let me know how I can help, or if you just want to talk shop on a regular basis to keep your head in the game. I'm here for you, but I will continue to encourage you to find some folks local to you so you can get that inimitable face time with fellow dream chasers.
- Brainstorm session: Get out your notepad and pen. What are the habits (or missing habits) that are most holding you back from making progress on your dreams? Think hard. Go deep. Really consider what changes would have the biggest impact on your growth. And they don't have to be photography-specific. For me, losing weight and improving my fitness is a huge goal that has a real effect on achieving my life goals. That translates into habits of meal preparation, healthy eating, and greater physical activity. Take your time and really identify all the ways you would like to change your personal actions or inactions, your behaviors, your choices, your attitudes, and write them all out. Don't let this list daunt you - we're all highly imperfect creatures. Now pick from that list the top three habits that are helping or hurting your ability to make your dreams reality; sticky-note this to your monitor (or mirror, or fridge) and be prepared to share this with your accountability partner or group. File the rest away in your Brainstorms folder.
- My writing at PartTimePhoto.com exists to serve your needs as an amateur photographer making the transition to paid professional. I appreciate and welcome your readership, and invite you to subscribe to my e-mail newsletter at the top of any page of this site.
- If anything in this post has spoken to and inspired you, please comment below, drop me an e-mail, or call or text me at 830-688-1564 and let me know. I'd love to hear how you use these ideas to better your part time photography business!