The Part Time Photographer Startup Series:
Part 1: How to make money as a part time portrait photographer
Part 2: What you need to start a part time photography business
Part 3: The legalities of starting a part time photography business
Part 4: What does a successful part time photographer look like?
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With the disclaimer made that I am neither a lawyer nor an accountant, let’s broach the topic of legalities you’ll need to be aware of as you kick off your part time photography business.
All of the thoughts I share here are from my experience over the past 10 years as a part time professional photographer in a small town in Texas. The language, terms, and governmental entities you have to deal with in your state or country may go by entirely different names. At the end of this article, I’ll provide some sure-fire advice as to how you can rest easy knowing you are completely covered as a working photographer. The peace of mind is worth the research.
DBA – Doing Business As
When I launched Outlaw Photography, I was required to go to my local county clerk (found conveniently at my local county courthouse) to file a DBA or Doing Business As form. This just makes a recorded connection between you as a person and your business.
You’ll spend a few minutes going through their records to ensure your business name isn’t taken (in a future article, I’ll show you how to name your business in five seconds flat), then fill out a form and pay a filing fee. Mine was $25.
To accept checks in your business name, most banks will ask you to show them your DBA, and will require you to open a separate account. My local Wells Fargo branch did not have this requirement, but the bank I now work with does. Expect to pay a monthly fee for this second account.
It’s sound business advice to always use your business checking account for business income and expenses.
Sales Tax
Next up you’ll need to go to the web site of your state’s sales tax enforcer and find their sales tax application.
For me, I went through my state comptroller’s web site and completed the free and easy application online. You’ll get your sales tax ID # slip of paper in the mail, which you’ll want to keep displayed where customers can see it. Unless you have a retail studio space or home office open to the public, just slap this in a file which you can show customers if needs be. No one has ever asked to see mine.
When it comes to collecting sales tax, the rate you collect from customers and later deliver to the state will depend on where your business is located. When I worked out of my rural home I collected 6.75-percent sales tax – now that I have a retail studio in an incorporated city, I collect 8.25-percent sales tax. Your taxing entity will provide you with the rate you should charge.
To answer the age-old question of what services or products you should collect sales tax on, I charge it on everything. The wisest advice I was given was that professional photography is considered manufacturing a product and thus you collect sales tax on parts and labor both. See my advice at the end of this article regarding the Your Mileage May Vary aspect of this point.
In Texas, you hand over the sales taxes you’ve collected on an annual basis unless you collect in excess of $xxxx amount, in which case you pay quarterly.
Income Tax
You will need to report all of your business income and business expenses come tax time. I’ve always trusted my numbers to H&R Block, of which we have a local branch with local people who take care of me any time I have a question and have given me great advice and peace of mind over the years.
If you enjoy filing your own taxes form by form, you’ll need a Schedule C. That’s honestly as far as my knowledge goes in that realm. There’s some good advice over at the Keeping Nickles blog for the do-it-yourself’ers out there.
Zoning
The last legal requirement you need to worry about is the zoning of your property if you live within a city and plan to work from home. This should only ever be an issue if you have clients visit you at your home, either for shooting in your home studio or doing photo viewing and sales sessions there. If you shoot entirely on location and do viewings at Starbucks on your laptop, you should never have an issue.
If you do plan to host clients, visit with your friendly secretary at City Hall about what permits or restrictions you may face working from your home. If you live in a subdivision, visit with your Home Owner’s Association. Part time portrait photography is a very low-traffic business, so most associations will have no problem with you doing part time business from home.
Making sure your butt is covered
God bless the spirit of the bootstrapper, but even I will say that the legal issues of starting and running your part time photography business are no place to be chintzy. Talk to a local CPA (Certified Public Accountant), preferably one recommended by a fellow photographer so you know they know your business. Even the shortest consultation will help you understand your legal position and needs, specific to your business, city, and state.
Your second option is to visit with other photographers in your city or state via online forums. I’m a big fan of my state’s best photography forum, TexasPhotoForum.com. Join your state’s forum and search their archives in the Business section for startup advice. This won’t guarantee your butt’s covered, but it’s the fastest way to get a good idea of what you need and where to look for more information.
While you’re there, search for recommendations for a CPA you can trust and talk with.
If you have any lingering questions that you can’t find from searching your forum’s archives, don’t be afraid to start a thread and ask dumb questions. Down the road when you’ve made it big, you’ll be the one on the other side of the Internet helping newbies get their start.
Your third option is to visit with your local Chamber of Commerce or business association. They can give you good advice and resources to explore.
In Part 4 of our Startup Series, I’ll show you what success looks like, and we’ll answer the underlying question of, “Is this something I really want to do?”
Next Steps
(Lots of Next Steps at this juncture – don’t be intimidated; this is where you are able to guarantee yourself the peace of mind you need to run your business without stress or worry.)
- Search Google for your state’s premier online photography forum. Join (should be free) and search their business archives for threads on startup issues and questions. Take the time to read over each one and as you go along, make notes of what you need to do or investigate further to ensure you’re legal. You should be able to answer most of the above-noted questions here. (A couple of good lists for general photography forums can be found at Doug Plummer’s blog and Amazon’s Askville.)
- If you have a question that hasn’t been answered, or need clarification on something, PM (private message) one of the seemingly knowledgeable photographers who was providing answers in the forum. Tell them you’re an aspiring professional photographer and ask your question. Keep in mind some people are jerks and don’t let them wear you down if they aren’t encouraging. If they won’t answer your question or aren’t encouraging, PM someone else.
- Search the forum for a recommendation for a good CPA. If you can’t find a recommendation, ask one of the knowledgeable posters in the forum. I suggest making contact with this CPA, finding out about prices, and finding out what the cost would be for an initial consultation.
- If you can afford it, arrange for an initial consultation with your CPA of choice. This is the best money you can spend on starting your own photography business – the peace of mind of knowing you’re covered is worth far more than what you’ll pay.
- Brainstorm session: Using what you learned in the forums and / or from your CPA, write down a list of all the things you need to do, all of the people you need to contact for more information, and make a plan for getting it all done. This is one of the hardest parts of starting your photography business, but the costs will be minimal, and there are no stupid questions. This will be the test of whether or not you have it in you to start your own business. Trust me, speaking from experience, it is way easier than you think it is. Go through the motions and within a day or two, you’ll have or have set in motion everything you need to legally start your part time photography business.
- I write and post new articles for PartTimePhoto.com daily to help you become successful as a part time professional photographer. If you like what you see here, you’re welcome to click on the “Subscribe” link at the top of any page of this site.
- What legal issues have you run into while starting your part time photography business? What have you found to be unique to your city, state, or country? Leave a comment below, e-mail me, or call or text me at 830-688-1564.
Similar Posts:
- How to prepare for your first photography client’s call – Your First Customer Series, Part 5
- Debate: Is longevity the selling point for photography studio prints (and their prices)?
- Want to make money as a part time photographer?
- Open your eyes and make beautiful photos where you are now
- What you need to start a part time photography business – Startup Series, Part 2


{ 9 comments… read them below or add one }
You are amazing! I stumbled upon this site last night and was up until 4:30 a.m. reading. I still haven’t gotten through everything, but I am finding your writing to be clear, informative, and perhaps most importantly, encouraging. I’m so very grateful to have found such an amazing resource. You make the dream of being a working photographer seem attainable. I do have one question, though. I’m wondering if you have info on model releases. Is there a standard model release form that can be used to allow the photographer to use the photos of the client for future ads, portfolio, etc.? Or is this even necessary? Have you covered this already, and I just haven’t found the post yet? Or can you point me to another resource on this subject? Thanks again.
Thank you so much for your comment and kinds words Dana! Really enjoyed looking at your site today, the mailbox project looks so cool – like a colorful reminder to smile every day when you fetch the mail.
Being a working photographer can most definitely be done. It is indeed work, which scares away a lot of would-be photogs who didn’t really have the passion or desire to be professionals – and that’s okay, it helps thin the uninspired from the market. So it is with any pursuit.
The New York Institute of Photography has a perfect, simple model release for download and use: http://www.nyip.com/ezine/techtips/model-release.html – simply adjust wording to taste. I have every person I shoot sign a model release, because I never know when or where I’ll use their images. It’s good to both cover my butt and to help them know ahead of time their photos may be used in venues they didn’t expect. And if they have an objection, they’re the paying client, I don’t argue.
I hope this helps! Thank you again, and please do keep me posted on your adventures as a professional photographer!
Thanks so much! You are so very kind. I’ll keep you posted!
Hey. Just wanted to update you really quickly. I recently did a photo shoot with a friend and co-worker. She is trying to get into modeling and I’m trying to get into photography, so we’ve been practicing together. I’m hoping to use the resulting photos to start building a portfolio. I posted the shots on my blog today and thought you might be interested in taking a look. I’d be incredibly grateful for any constructive criticism you may have to offer. Thanks so much! http://spicystreetdesigns.wordpress.com/2011/12/05/the-whole-album/
What an awesome kick off for your portfolio Miss Dana! A great set of images to work from. For constructive criticism, here’s just a few thoughts:
- I would back away from anything to processing-heavy in Photoshop – the sepias, the orange glows, the heavy vignetting. Early on it’s easy to want to try to spice up photos with extra processing, but often it just comes off as trying to obscure an otherwise sub-par photo. For example, photos like 23, 53, 22, 27 – these need no obfuscation, they’re absolutely lovely. Compare to 17, 26, 60, 8.1, where an image that might otherwise have not made the cut is given a heavy dose of post-processing to try to be made stylish. Especially for what you put in your portfolio and share with potential clients, you want to only show your best – if you shoot 500, show a client 50, and put only 1-5 in your public portfolio.
- Somewhat related to the above, it looks like you tried a lot of different processing techniques on these images. Pick any two or three for a given shoot, and pick only the best photos that have a purpose for being given such processing, and get very good at processing those images those two or three ways. On almost all of my paid shoots for clients, I show 90% color images (with simple, accurate processing) and 10% black and white copies of my favorite shots.
- That said, of course when you’re doing fashiony-type work, you have latitude to play around and experiment; certainly experiment as much as you can, certainly get feedback and adjust as you see fit. But so far as what you show a client, and even more selectively, what you show in your portfolio, ensure that every image has a purpose, to both be shown in the first place and to be processed in the fashion you have.
- I would reduce the breadth of scenes in this given shoot, and spend more time working each scene for great expressions, different poses, etc. It looks like you shot at several different locations, different outfits, but I’m seeing a lot of the same posing and expressions. Your subject is lovely, I’m sure she could provide all manner of looks – smoldering, sassy, fun, funny, quirky, smirky, etc. One trick I use to loosen up my subjects, especially high school senior girls, is a series of “nine silly face shots.” I tell them the purpose is to help them relax and have fun with the shoot, and tell them I’m going to count from one to nine, taking a photo with each number – and they have to come up with nine completely different, totally off-the-wall silly faces for each one. This is the fun stuff, what gets laughed about and shared on Facebook later on, at least with the right kinds of clients. Give your subjects the motivation and inspiration they need to relax, have fun, and really show off the full spectrum of their personalities in front of the camera.
That’s all I see! Lots of great images, great ideas, and technically well-executed shots in this set, Miss Dana – you’ve got everything you need to do great in this industry. I hope I provided a few ideas to help focus your talents. If you have any questions or if there’s anything more I can do, please don’t hesitate to let me know! And please do keep me posted on your adventures!
Hi,
My husband and I are considering opening up an old time photo business in Oklahoma. Do you have any idea how much we should invest in the beginning on costumes, props, and a building?
Any advise would be appreciated.
Thanks,
Debbie
Hey there Debbie, thank you for your comment!
Let me preface my suggestions with the fact that I am an extremely frugal bootstrapper of a businessman – I very much so lean toward starting very, very small, and earning your way to investments in better gear, props, etc.
I have no personal experience with the Old Timey photo studio business model, so I can’t give very good specifics about what you truly need to get started. What I would suggest is to look at other such businesses in your area, and figure out how you can imitate their success as inexpensively as possible. How few costumes and props can you get away with in the beginning? Can you get by in the beginning with just a few props and outfits? What if you just did 3/4 shots from the waist up, could you get by with western coats, ties and hats?
I’m tempted to actually suggest you start a basic portrait photography business up first (where the onus of wardrobe and props lies with the client), let that build some steam and get you paying clients in the door, and then use the profits from that business to launch your Old West division.
My thinking is always, “How can I start making money with this with the least investment/risk?” Nine times out of 10, creativity and flexibility are the necessary ingredients to a successful start, not an outpouring of money.
If you want to go all-Old West to start, I’d suggest starting with young kids – the sets / scenes are smaller, the wardrobe is less expensive, the props can be hand-made or purchased inexpensively at yard sales and antique stores.
The most successful Old West portrait studio I’ve come across locally is Tootins McGrootins Antique Portrait Studio: http://www.tootins.com. So far as I’ve seen, they actually just have a small trailer full of props and wardrobe that they haul to rodeos and other events, then set up on-site and do Old West portraits. She seems to do very well in her business – she may even be a good person to visit with and try to glean some tips from.
It’s obviously a successful business model, but to jump right in might be pretty expensive – again, I would start with a small location portrait business for a few months and then use the profits from that very inexpensive business model to fund the investments you’ll need to get your Old West photo business up and running.
Thank you for your comment and your readership! Please keep me posted on what path you guys decide on, I’d love to hear of your successes and adventures!
Oh my Gosh I am SO glad I came across this website!! You are amazing Mr. James Taylor, and so much help!! I’m reading crossed eyed as its 3:43 am here.. but I can’t stop reading all your helpful posts! I am just starting in the photography business, I’ve taken a DSLR and Photoshop Workshop.. and I am currently in a Business Workshop with Rachel Brenke to get my business up and running legit, and legally! But, I am always searching for more resources, inspiration and helpful posts- again, SO glad I found this!! God Bless You, and Thank You!
Thank you so much for your kind words Stephanie! It sounds like you’re building a great foundation for your business – please do keep in touch and let me know of your successes and adventures this year! If you let yourself, I promise you will enjoy the journey as you take on the role, responsibility, and rewards of being a professional photographer. It’s more fun than we should probably let on!